DOI Heft:
Nr. 75 (June 1899)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19232#0067
Studio-Talk
length. Nothing more exquisite, more delicately
graceful than his Sirene could be conceived, and
the same may be said of his study entitled Jeune
Femme, and his portrait Jeune Fille—genuine little
masterpieces of modern femininity, produced by
an artist who has an individuality, a rare individu-
ality, and is, moreover, a colourist of the highest
order.
At the Galerie Vollard, in the Rue Laffitte, the
exhibition of the works of Marie-Charles Dulac
enables one to gain a thorough knowledge of the
capabilities of this genuine artist, and to estimate
the extent of the loss which the religious art of to-
day has just sustained. Charles Dulac died on the
second of January this year, at the age of thirty-
three, in the plenitude of his powers. His prema-
ture loss cannot be too sincerely regretted.
The second annual exhibition of French litho-
graphers has recently been held in the galleries of
the Revue Populaire des Beaux-Arts, rue Grange-
Bateliere, under the direction of M. Jules de
Marthold. Among a number of admirable works
the most notable were those of MM. Camille
Bellanger, Henry de Touche, Bouisset, Paul
Mauron, Leleu, Lachnitt, Duluard, Lemoine,
Aubin, Roedel, and Tru-
pheme.
The Exhibition of Water-
Colourists at the Galerie
des Champs-Elysees needs
but a word of mention.
The large majority of the
exhibitors sent nothing
better than mere bon-bon
box illustrations. Among
the few exceptions were
Gaston La Touche, Gras-
set, Le Mains, and Paul
Rossert. On account of
their colour it is unfortu-
nately impossible to repro-
duce in these columns any
of M. Rossert’s water-
colours, but I am glad that
we are able to give three
pencil sketches by this
artist of works from his
brush exhibited at the
Champs-Elysees.
Reproductions are given
of two of Lepere’s latest
lithographs: the poster
for the Exposition des
Peintres Lithographes,
reference to which was
made in a recent issue,
and IJHomme au Filet,
one of those character-
istic bits of spontaneous
life in which Lepere
excels.
“ LE GRAND ARBRE
FROM A SKETCH BY PAUL ROSSERT
G. M.
length. Nothing more exquisite, more delicately
graceful than his Sirene could be conceived, and
the same may be said of his study entitled Jeune
Femme, and his portrait Jeune Fille—genuine little
masterpieces of modern femininity, produced by
an artist who has an individuality, a rare individu-
ality, and is, moreover, a colourist of the highest
order.
At the Galerie Vollard, in the Rue Laffitte, the
exhibition of the works of Marie-Charles Dulac
enables one to gain a thorough knowledge of the
capabilities of this genuine artist, and to estimate
the extent of the loss which the religious art of to-
day has just sustained. Charles Dulac died on the
second of January this year, at the age of thirty-
three, in the plenitude of his powers. His prema-
ture loss cannot be too sincerely regretted.
The second annual exhibition of French litho-
graphers has recently been held in the galleries of
the Revue Populaire des Beaux-Arts, rue Grange-
Bateliere, under the direction of M. Jules de
Marthold. Among a number of admirable works
the most notable were those of MM. Camille
Bellanger, Henry de Touche, Bouisset, Paul
Mauron, Leleu, Lachnitt, Duluard, Lemoine,
Aubin, Roedel, and Tru-
pheme.
The Exhibition of Water-
Colourists at the Galerie
des Champs-Elysees needs
but a word of mention.
The large majority of the
exhibitors sent nothing
better than mere bon-bon
box illustrations. Among
the few exceptions were
Gaston La Touche, Gras-
set, Le Mains, and Paul
Rossert. On account of
their colour it is unfortu-
nately impossible to repro-
duce in these columns any
of M. Rossert’s water-
colours, but I am glad that
we are able to give three
pencil sketches by this
artist of works from his
brush exhibited at the
Champs-Elysees.
Reproductions are given
of two of Lepere’s latest
lithographs: the poster
for the Exposition des
Peintres Lithographes,
reference to which was
made in a recent issue,
and IJHomme au Filet,
one of those character-
istic bits of spontaneous
life in which Lepere
excels.
“ LE GRAND ARBRE
FROM A SKETCH BY PAUL ROSSERT
G. M.