Studio- Talk
r
“meat market in middleburg” (See Berlin Studio-Talk) by hans herrmann
Delatre, Delpy, Henri Jourdain (Versailles), and
Lecreux (Lake of Geneva). M. de Latenay and
M. la Touche are as delicately poetical as ever.
The light engravings done by this last-named artist
for the recueil,, by Albert Samain called Aux flancs
du vase, must enchant even the most captious by
their grace.
Muller will captivate everyone by his warm land-
scapes and his lovely female study, Le Chapeau
Rose; while Osterlind—that wizard of the Spanish
dance—Madame Anna Osterlind, with her poetic
visions of Versailles, Pierre Roche, Fritz Thaulow,
Villon and Pierre Waidmann complete this brilliant
company. The whole display has been a great
attraction to the art-lover.
an exhibition of the flowers she treats in so personal
a fashion. The charm of the hot-house has never
had a more perfect interpreter.
A new society of water-colourists has been
formed, and its opening display at Georges Petit’s
enabled one to study sundry able works little known
in Paris, such as that of Von Bartels, whose large
picture La Houle is full of striking effects; that of
M. Zezzos, an Italian whose colouring shows great
vigour, and that of M. Maurice Hagemans, whose
Le Long du Chenal is a beautiful vision of nature.
The talented organiser of this charming exhibition,
M. Maurice Guillemet, was anxious that the best
of our French water-colourists should take part
therein, and the broad method of Osterlind, Detroy
(sparkling scenes from Cannes), Sureda, Delestre,
and Prunier is indeed restful after the customary
361
Madame Marcotte has held in the same Gallery
r
“meat market in middleburg” (See Berlin Studio-Talk) by hans herrmann
Delatre, Delpy, Henri Jourdain (Versailles), and
Lecreux (Lake of Geneva). M. de Latenay and
M. la Touche are as delicately poetical as ever.
The light engravings done by this last-named artist
for the recueil,, by Albert Samain called Aux flancs
du vase, must enchant even the most captious by
their grace.
Muller will captivate everyone by his warm land-
scapes and his lovely female study, Le Chapeau
Rose; while Osterlind—that wizard of the Spanish
dance—Madame Anna Osterlind, with her poetic
visions of Versailles, Pierre Roche, Fritz Thaulow,
Villon and Pierre Waidmann complete this brilliant
company. The whole display has been a great
attraction to the art-lover.
an exhibition of the flowers she treats in so personal
a fashion. The charm of the hot-house has never
had a more perfect interpreter.
A new society of water-colourists has been
formed, and its opening display at Georges Petit’s
enabled one to study sundry able works little known
in Paris, such as that of Von Bartels, whose large
picture La Houle is full of striking effects; that of
M. Zezzos, an Italian whose colouring shows great
vigour, and that of M. Maurice Hagemans, whose
Le Long du Chenal is a beautiful vision of nature.
The talented organiser of this charming exhibition,
M. Maurice Guillemet, was anxious that the best
of our French water-colourists should take part
therein, and the broad method of Osterlind, Detroy
(sparkling scenes from Cannes), Sureda, Delestre,
and Prunier is indeed restful after the customary
361
Madame Marcotte has held in the same Gallery