Studio-Talk
At an exhibition of work which members of
the Lyceum Club have been holding at the club,
we noted among interesting features a binding
of Shakespeare’s “ Sonnets,” by Miss Mary E.
Robinson; and one of “ Through the Looking
Glass,” by Miss Helena Morris ; an enamel on
copper, by Mrs. Ernestine Mills; two reliefs
by Miss Helen Langley; a coloured plaster, by
Miss Edith Downing; and a gesso panel by Miss
E. E. Woodward. Some good examples of jewellery
were contributed by Mrs. Hadaway, Mrs. Mills,
Mrs. Eastlake, Mrs. Roscoe-Mullins, Mrs. Bishop,
and by Miss Dora Bell, Miss Ford, Miss
Wadsworth. Two pewter mirrors with inlaid
mosaic, by Miss Branson, and a carved screen by
Miss E. M. Blackburn added to the merit of the
exhibition, which was one of the most successful the
club has yet held.
GLASGOW.—Our coloured supplement
is from a drawing by Miss Annie
French, whose work it has been our
pleasure to note before in The
Studio. Making from what may be termed the
Beardsley convention fanciful schemes of her own,
her work has individual charm in its highly decora-
tive quality and elegance of design. In the skill
with which she spaces her design, and in the tints
At an exhibition of work which members of
the Lyceum Club have been holding at the club,
we noted among interesting features a binding
of Shakespeare’s “ Sonnets,” by Miss Mary E.
Robinson; and one of “ Through the Looking
Glass,” by Miss Helena Morris ; an enamel on
copper, by Mrs. Ernestine Mills; two reliefs
by Miss Helen Langley; a coloured plaster, by
Miss Edith Downing; and a gesso panel by Miss
E. E. Woodward. Some good examples of jewellery
were contributed by Mrs. Hadaway, Mrs. Mills,
Mrs. Eastlake, Mrs. Roscoe-Mullins, Mrs. Bishop,
and by Miss Dora Bell, Miss Ford, Miss
Wadsworth. Two pewter mirrors with inlaid
mosaic, by Miss Branson, and a carved screen by
Miss E. M. Blackburn added to the merit of the
exhibition, which was one of the most successful the
club has yet held.
GLASGOW.—Our coloured supplement
is from a drawing by Miss Annie
French, whose work it has been our
pleasure to note before in The
Studio. Making from what may be termed the
Beardsley convention fanciful schemes of her own,
her work has individual charm in its highly decora-
tive quality and elegance of design. In the skill
with which she spaces her design, and in the tints