DOI Heft:
Nr. 222 (September 1911)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.20973#0351
Studio-Talk
who paints strong winter scenes from the big ofFredrika Bremer, the energetic fighter for women's
woods of SmSland; Axel Kulle, whose synthetic rights, and a novelist much read in England and
landscapes from Skane are executed in a very America in the forties and fifties, though certainly
personal colour-scheme; and Oscar Bergman, who her artistic productions cannot compare with her
exhibited some decorative small water-colours, literary achievements. Among the modern Swedish
Good portraits by Torsten Schonberg and Lange lady painters, Mrs. Hanna Pauli is by far the most
attracted attention. The sculpture was rather important. She filled a whole wall with many good
unimportant; with the exception of Otto Strand- works, which showed an almost masculine power
man's statuettes. of conception, and her biggest work, a portrait-
- group called The Friends, representing a dozen
In Hultberg's Galleries some of our best car- well-known literary and artistic people gathered
toonists, Schonberg, Schwab, Oscar Andersson, and round Ellen Key, the essayist, reading her last
a few others, arranged a " Salon des humoristes " book to her admiring friends, was bought for the
which was a great success. Schwab exhibited a Museum in Stockholm. Among the works ot
very amusing series of oil paintings in which he applied art one noticed some really good book-
represented how different well-known artists from bindings by Countess Eva Sparre. T. L.
Zorn, Larsson, and Liljefors up to Matisse would
have painted the same subject, A Girl with an EIPZIG.—The "Leipziger Jahresausstellung,
Orange, the style of the different artists being 1911 " (Leipzig Annual Exhibition, 1911),
excellently characterised. Torsten Schonberg's in union with the " Deutsche Kiinstler-
caricatures of Zorn and other known Stockholm ^ ^ bund," gave a display of interesting work
types were good, but his own self-portrait, a big of modern type, mostly paintings in oil, with a
charcoal-drawing, was simply excellent, though no small but interesting section of graphic art and
caricature. Ivar Arosenius's small water-colours, some sculpture,
humorous and fantastic,
cruel and poetic, aroused
a great deal of interest.
Axel Pettersson, a Swedish
peasant-sculptor from Do-
derhutt, who already last
year won many admirers at
the "Salon des humoristes "
in Paris, showed his Steeple-
chase (p. 333) and Peasant
Funeral, which latter work
has been exhibited at the
Swedish Art Exhibition in
Brighton, where, by the
way, also a really fine collec-
tion of Arosenius's water
colours was to be seen.
The latest of many asso-
ciations of artists in Sweden
is the Society of Lady
Artists, which had a great J^vt^S*j«-»*
but not very carefully :' . f\cf
selected exhibition in the
galleries of the Academy
of Fine Arts recently. In
the retrospective part of
this show Anglo-American
visitors might have been in- self-portrait by torsten schonberg
terested to see the drawings (The property oj Th. Laurin, Esq., Stockholm),
33°
who paints strong winter scenes from the big ofFredrika Bremer, the energetic fighter for women's
woods of SmSland; Axel Kulle, whose synthetic rights, and a novelist much read in England and
landscapes from Skane are executed in a very America in the forties and fifties, though certainly
personal colour-scheme; and Oscar Bergman, who her artistic productions cannot compare with her
exhibited some decorative small water-colours, literary achievements. Among the modern Swedish
Good portraits by Torsten Schonberg and Lange lady painters, Mrs. Hanna Pauli is by far the most
attracted attention. The sculpture was rather important. She filled a whole wall with many good
unimportant; with the exception of Otto Strand- works, which showed an almost masculine power
man's statuettes. of conception, and her biggest work, a portrait-
- group called The Friends, representing a dozen
In Hultberg's Galleries some of our best car- well-known literary and artistic people gathered
toonists, Schonberg, Schwab, Oscar Andersson, and round Ellen Key, the essayist, reading her last
a few others, arranged a " Salon des humoristes " book to her admiring friends, was bought for the
which was a great success. Schwab exhibited a Museum in Stockholm. Among the works ot
very amusing series of oil paintings in which he applied art one noticed some really good book-
represented how different well-known artists from bindings by Countess Eva Sparre. T. L.
Zorn, Larsson, and Liljefors up to Matisse would
have painted the same subject, A Girl with an EIPZIG.—The "Leipziger Jahresausstellung,
Orange, the style of the different artists being 1911 " (Leipzig Annual Exhibition, 1911),
excellently characterised. Torsten Schonberg's in union with the " Deutsche Kiinstler-
caricatures of Zorn and other known Stockholm ^ ^ bund," gave a display of interesting work
types were good, but his own self-portrait, a big of modern type, mostly paintings in oil, with a
charcoal-drawing, was simply excellent, though no small but interesting section of graphic art and
caricature. Ivar Arosenius's small water-colours, some sculpture,
humorous and fantastic,
cruel and poetic, aroused
a great deal of interest.
Axel Pettersson, a Swedish
peasant-sculptor from Do-
derhutt, who already last
year won many admirers at
the "Salon des humoristes "
in Paris, showed his Steeple-
chase (p. 333) and Peasant
Funeral, which latter work
has been exhibited at the
Swedish Art Exhibition in
Brighton, where, by the
way, also a really fine collec-
tion of Arosenius's water
colours was to be seen.
The latest of many asso-
ciations of artists in Sweden
is the Society of Lady
Artists, which had a great J^vt^S*j«-»*
but not very carefully :' . f\cf
selected exhibition in the
galleries of the Academy
of Fine Arts recently. In
the retrospective part of
this show Anglo-American
visitors might have been in- self-portrait by torsten schonberg
terested to see the drawings (The property oj Th. Laurin, Esq., Stockholm),
33°