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Studio: international art
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Studio: international art
— 70.1917
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Please cite this page by using the following URL/DOI:
https://doi.org/10.11588/diglit.24576#0112
DOI issue:
No. 289 (April 1917)
https://doi.org/10.11588/diglit.24576.13
DOI article:
Salaman, Malcolm C.: The art of the colour-print
https://doi.org/10.11588/diglit.24576.14
DOI Page / Citation link:
https://doi.org/10.11588/diglit.24576#0112
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art journals – Illustrated art and satire periodicals
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No. 287 (February 1917)
Gibson, Frank: The art of Alexander and John Robert Cozens
Whitley, William Thomas: Arts and crafts at the Royal Academy, [4]
Mortimer-Lamb, Harold: The thirty-eighth exhibition of the Royal Canadian Academy of Arts
Studio-talk
The lay figure: on the pissiblilties of the poster
No. 288 (March 1917)
Salaman, Malcolm C.: The graphic arts at the Royal Academy
Wood, T. Martin: The portrait paintings of Ambrose McEvoy
Studio-talk
Reviews
The lay figure: on people who expect too much
No. 289 (April 1917)
Salaman, Malcolm C.: The art of the colour-print
Whitworth, Geoffrey: Maxwell Armfield, painter and decorative artist
Dixon, William Hepworth: Hugh Thomson: Illustrator
Studio-talk
Reviews
The lay figure: on simulated simplicity
No. 290 (May 1917)
Hind, Charles Lewis: In Memoriam: Wilfrid Ball, water-colour painter
Lees, George Frederic William: The art of George Harcourt
Clauss, Emile: The Thames from my tower window
Studio-talk
Reviews
The lay figure: on some matter of national importance
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“I N WARWICK S LAND."
FOUR PLATES. BY W. LEE
AQUATINT FROM
HANKEY, R.E.
(Messrs. L. H. Lejevre
&■ Son, Publishers.)
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