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Metadaten

Studio: international art — 87.1924

DOI issue:
No. 375 (June 1924)
DOI article:
The Royal Academy Exhibition, 1924
DOI Page / Citation link:
https://doi.org/10.11588/diglit.21399#0324

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THE ROYAL ACADEMY EXHIBITION, 1924

Dieppe : Afternoon, by Mr. Philip Con-
nard ; and the Pastoral, by Mr. Cayley
Robinson, is a very adequate example of
his production. 0 0 0 0

Really, however, there are more things
of interest among the paintings of open-air
subjects. The most striking landscape is
The Smug and Silver Trent, by Mr.
Arnesby Brown, who both in this and in
a smaller canvas. The Hollow, shows as
convincingly as ever his ability to bring the
facts of nature into accord with a dignified
pictorial scheme. Sir David Murray’s Wells
Cathedral is very characteristic in its dis-

tinction and grace of style ; Sir Herbert
Hughes-Stanton’s Sunrise: Mount Fuji,
Japan, is an excellently considered com-
position, ably handled; and the Quiet
Evening : Honfleur, by Mr. Terrick Wil-
liams, is a superb example of the work of an
artist who is always rarely personal in his
outlook and expression. Mr. Oliver Hall,
Mr. Bertram Priestman and Mr. Stanhope
Forbes are very well represented. There is
an attractive decorative landscape with
figures, A River in France, by Mr. Con-
nard ; and there are other things, like Mr.
Clausen’s Sunrise in September ; Mr. W. W.

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“ GLORIA IN EXCELSIS.” WATER-COLOUR
BY MISS D. W. HAWKSLEY, R.I.

(Copyright reserved for artist or owner by
Walter Judd, Ltd.)

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