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Metadaten

Studio: international art — 87.1924

DOI issue:
No. 375 (June 1924)
DOI article:
The Royal Academy Exhibition, 1924
DOI Page / Citation link:
https://doi.org/10.11588/diglit.21399#0325

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THE ROYAL ACADEMY EXHIBITION, 1924

“SPRING.” BY MRS.
PHOEBE STABLER

Russell’s New Shoreham ; Mr. Talmage’s
Silver Morning; Mr. Walter West’s Dream
Island; Mr. Tom Mostyn’s The Old
Watergate ; and the charming fantasy, The
Spring Time, by Mr. F. F. Foottet, which
give character to the exhibition. 0 a
In the water-colour room there is a good
deal that is worthy of note—the best
things, perhaps, are The Desolate Hills, by
Mr. C. A. Hunt; Ripening, by Miss A.
Airy ; Slumber, by Mr. Lee Hankey ; Sand
306

Dunes of Pas-de-Calais, by Mr. Leonard
Richmond ; A Winter Landscape, by Mr.
E. T. Holding ; Gloria in Excelsis by Miss
D. W. Hawksley; and the amazingly skilful
Harvesters, Aragon, by Mr. Russell Flint.
Again in the sculpture galleries there is
much sound work. Mr. Nicholson Babb’s
Diana has a very persuasive elegance ; Sir
Bertram Mackennal’s sketch model for a
war memorial at Blackburn is finely com-
posed and well handled, and the bust of
a child, Lady Caroline Paget, by Mr. Reid
Dick, is unusually well understood and
interpreted. Other memorable contribu-
tions come from Mr. C. S. Jagger, Mr. N.
A. Trent, Mr. C. L. Hartwell, Mr. Hope-
Pinker, Sir Hamo Thornycroft, Mrs.
Stabler, Mrs. E. M. Gabriel, Mr.
Richard Garbe, Mr. Pomeroy and Sir W.
Goscombe John. 0 0 0 0

“TO THE MOON.” BY
MRS. EDITH M. GABRIEL
 
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