DOI Page / Citation link:
https://doi.org/10.11588/diglit.3044#0205
190 SYNTAX
18 Siegelbilder 35, Cf. Matz, FKS 127.
19 Cf. rosettes, tubular drill ornament, tectonic ornament, cross-hatching, centrally radiating motifs, random
scratching, stars, cross with Zwickelfiillung and croix pommetees.
20 Freely rotating: Motif 47:5. Hindered: 47:6.
21 Exception: Tectonic Groups.
22 Cf. cross with Zwickelfiillung, Motif 29:1-7.
23 Cf. CMS III 2.
24 Cf. Motif 1:12; 7:6-7.
25 Cf. Motif 33:2,3; 34:3.
26 Cf. Motif 30:1-3.
27 Cf. Motif 21:5; 47:2; 49:12.
28 Cf. Motif 30:1-4, 6, 8.
29 Cf. Motif 38:3; 46:15, 18; 47:2.
30 Sixty-two seals of this style-complex demonstrate this scheme. Segmental compositions are atypical of the
roughly contemporary Parading Lions/Spiral Complex.
31 Cf. Motif 38:3.
32 Cf. Motif 19:43; 46:15, 18.
33 Approximately 110 motifs of the Classical and Common style-groups (cf. Motif 24:1-8 etc.).
34 Matz gives some examples of rapport patterns in his discussion in FKS (p. 135) but does not define this
concept. The definitions of Furumark (MP 123) and Walberg (Kamares 84) give clear definitions for rapport
in pottery decoration. My definition is consonant with theirs'.
35 I.e. as long as it is uniformly repeated. Cf. Motifs 19:20-22; 23:2; 24:14; 25:3, 15, 17,23-25, 27-32; 31:5.
36 Cf. Epomia and 18a Hemispheroids.
37 CMS 115 1-15. On their dating, supra 147.
38 CM 2; CMS III 226a, 230a, 291a, 384a (=Motif 46:3).
39 CM 222; CMS III 58, 237, 241, 242, 255; IV 30, 120 (cf. Motifs 19:20-22; 20:3; 25:15).
40 Others of them are segmental compositions.
41 CMS III 80, 193, 269, 328; XIII 45 (cf. Motifs 35:3, 4).
42 Twenty-four seals and twenty-two impressions.
43 Thirteen seals.
18 Siegelbilder 35, Cf. Matz, FKS 127.
19 Cf. rosettes, tubular drill ornament, tectonic ornament, cross-hatching, centrally radiating motifs, random
scratching, stars, cross with Zwickelfiillung and croix pommetees.
20 Freely rotating: Motif 47:5. Hindered: 47:6.
21 Exception: Tectonic Groups.
22 Cf. cross with Zwickelfiillung, Motif 29:1-7.
23 Cf. CMS III 2.
24 Cf. Motif 1:12; 7:6-7.
25 Cf. Motif 33:2,3; 34:3.
26 Cf. Motif 30:1-3.
27 Cf. Motif 21:5; 47:2; 49:12.
28 Cf. Motif 30:1-4, 6, 8.
29 Cf. Motif 38:3; 46:15, 18; 47:2.
30 Sixty-two seals of this style-complex demonstrate this scheme. Segmental compositions are atypical of the
roughly contemporary Parading Lions/Spiral Complex.
31 Cf. Motif 38:3.
32 Cf. Motif 19:43; 46:15, 18.
33 Approximately 110 motifs of the Classical and Common style-groups (cf. Motif 24:1-8 etc.).
34 Matz gives some examples of rapport patterns in his discussion in FKS (p. 135) but does not define this
concept. The definitions of Furumark (MP 123) and Walberg (Kamares 84) give clear definitions for rapport
in pottery decoration. My definition is consonant with theirs'.
35 I.e. as long as it is uniformly repeated. Cf. Motifs 19:20-22; 23:2; 24:14; 25:3, 15, 17,23-25, 27-32; 31:5.
36 Cf. Epomia and 18a Hemispheroids.
37 CMS 115 1-15. On their dating, supra 147.
38 CM 2; CMS III 226a, 230a, 291a, 384a (=Motif 46:3).
39 CM 222; CMS III 58, 237, 241, 242, 255; IV 30, 120 (cf. Motifs 19:20-22; 20:3; 25:15).
40 Others of them are segmental compositions.
41 CMS III 80, 193, 269, 328; XIII 45 (cf. Motifs 35:3, 4).
42 Twenty-four seals and twenty-two impressions.
43 Thirteen seals.