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¿ ClDADE MARAVILLOSA ?
229
Rist 2005 - P. Rist, A Brief Introduction to Brazilian Cinema, Volume 9, Issue
6, 30.06.2005, http://www.offscreen.com/index.php/phile/essays/in-
tro_braziliancinema/(acceso 26/05/2014).
Schneider 2004 - S. Schnaider, 1001 firnów, które musisz zobaczyć, Warsza-
wa 2004.
Scott 2000 - A.O. Scott, Orfeeu: Reborn in Romantic Rio, Orpheus Flavors
Samba with Rap, New York Times, 25.08.2000.
Stam 1997 - R. Stam, Tropical Multiculturalism, A Comparative history of race
in Brazilian cinema & culture, Durham and London 1997.
Śniadecka-Kotarska 2004 - M. Śniadecka-Kotarska Magdalena, Problema-
tyka społeczna i ubóstwa w Brazylii w filmie “Miasto Boga”, “Ame-
ryka Łacińska”, 2 (44) 2004, pp. 102-111.
Thomas 2000 - K. Thomas, The Lifeblood of Carnaval Pulses Through ‘Orfeu ’,
“Los Angeles Times”, 8.07.2000, http://articles.latimes.com/2000/
sep/08/entertainment/ca-17314 (acceso 26/05/2014).
Tourand 2008 - K. Tourand, Movie review - favela riseing, “Los Angeles Ti-
mes”, 4.08. 2008.
Toeplitz 1982 -T. Toeplitz, Historia filmu, Warszawa 1982.
Tryhorh 2008 - D. Tryhom, Playing favela fast and loose, “The Guardian”,
16.07.2008, www.theguardian.com/film/2008/sep/15/worldcinema (ac-
ceso 26/05/2014).
Valladares 2005 - L. Valladares, A invęao da favela: do mito de origem
a favela.com, Rio de Janeiro 2005.
Summary
ClDADE MARAVILLOSA? THE IMAGE OF THE FAVELAS
of Rio de Janeiro - from the artistic to the popular movie
The article presents the evolution of favela’s images in Brazilian cinemato-
graphy; from the first productions from the 1950s until the end of the first de-
cade of the 21st century. The author tries to systematize them by distinguishing
three periods (the 50s / 60s, the turn of the 20lh and 21s1 centuries, the first deca-
de of 21s1 century).
The author discusses the change of the subject matter and the image of favela’s
residents: from paternalistic images of alienation, otherness and mutual distrust,
through homeliness, to relationships dominated by the world of crime at the be-
ginning of the 21st century. Cinematography is like a mirror reflecting socio-po-
litical changes which took place in Brazil and affected its inhabitants in abo-
vementioned periods. The analysis of these changes reveals their direction and
nature which focus, like in the lens, on example of Rio de Janeiro.
229
Rist 2005 - P. Rist, A Brief Introduction to Brazilian Cinema, Volume 9, Issue
6, 30.06.2005, http://www.offscreen.com/index.php/phile/essays/in-
tro_braziliancinema/(acceso 26/05/2014).
Schneider 2004 - S. Schnaider, 1001 firnów, które musisz zobaczyć, Warsza-
wa 2004.
Scott 2000 - A.O. Scott, Orfeeu: Reborn in Romantic Rio, Orpheus Flavors
Samba with Rap, New York Times, 25.08.2000.
Stam 1997 - R. Stam, Tropical Multiculturalism, A Comparative history of race
in Brazilian cinema & culture, Durham and London 1997.
Śniadecka-Kotarska 2004 - M. Śniadecka-Kotarska Magdalena, Problema-
tyka społeczna i ubóstwa w Brazylii w filmie “Miasto Boga”, “Ame-
ryka Łacińska”, 2 (44) 2004, pp. 102-111.
Thomas 2000 - K. Thomas, The Lifeblood of Carnaval Pulses Through ‘Orfeu ’,
“Los Angeles Times”, 8.07.2000, http://articles.latimes.com/2000/
sep/08/entertainment/ca-17314 (acceso 26/05/2014).
Tourand 2008 - K. Tourand, Movie review - favela riseing, “Los Angeles Ti-
mes”, 4.08. 2008.
Toeplitz 1982 -T. Toeplitz, Historia filmu, Warszawa 1982.
Tryhorh 2008 - D. Tryhom, Playing favela fast and loose, “The Guardian”,
16.07.2008, www.theguardian.com/film/2008/sep/15/worldcinema (ac-
ceso 26/05/2014).
Valladares 2005 - L. Valladares, A invęao da favela: do mito de origem
a favela.com, Rio de Janeiro 2005.
Summary
ClDADE MARAVILLOSA? THE IMAGE OF THE FAVELAS
of Rio de Janeiro - from the artistic to the popular movie
The article presents the evolution of favela’s images in Brazilian cinemato-
graphy; from the first productions from the 1950s until the end of the first de-
cade of the 21st century. The author tries to systematize them by distinguishing
three periods (the 50s / 60s, the turn of the 20lh and 21s1 centuries, the first deca-
de of 21s1 century).
The author discusses the change of the subject matter and the image of favela’s
residents: from paternalistic images of alienation, otherness and mutual distrust,
through homeliness, to relationships dominated by the world of crime at the be-
ginning of the 21st century. Cinematography is like a mirror reflecting socio-po-
litical changes which took place in Brazil and affected its inhabitants in abo-
vementioned periods. The analysis of these changes reveals their direction and
nature which focus, like in the lens, on example of Rio de Janeiro.
