DOI Heft:
Abstrakty i informacje o autorach
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.42381#0314
312
ABSTRAKTY
ABSTRACT. The work of the young Slovak artist Stefan Papco, Citizens, is
used as an example to illustrate mutual interactions of various types of im-
ages and their media. The composition of dispersed and manipulatively put
together artistic and technical images gains the socio-critical dimension of a
metaphorical reference to the story of the dissolution of citizenship in the
context of a manipulated society.
Ivan Gerat, PhD. Ivan Gerat, Ustav dejm umenia SAV, Slovenskâ akademia
vied, Dübravskâ cesta 9, SK-841 04 Bratislava 4, Slovakia.
Marian Zervan, PhD, Katedra dejin a teorie umenia, Filozofickâ fakulta,
Trnavska univerzita v Trnavie, Hornopotoćna 23, 918 43 Trnava, marian.
zervan@gmail.com
ABSTRACT. Maria Jankowska-Andrzejewska, Malarstwo materii w Polsce -
na marginesach odwilżowej „nowoczesności” [Painting of the Matter in Po-
land - on the Margins of the „Thaw” Modernity], „Artium Quaestiones”
XXVII, Poznań 2016, Adam Mickiewicz University Press, pp. 197-248, ISSN
0239-202X.
The topic of the essay is painting of the matter in Poland. Until now, the
works of art from which paint was eliminated in favor of other materials and
substances combined with painterly activities have been considered on the
margin of Polish art history. They have been approached in terms which do
not suit their visual identity, in a fragmentary way and in reference to some
selected aspects only. The author analyzes works by Jadwiga Maziarska,
Bronislaw Kierzkowski, Adam Marczyński, Teresa Rudowicz, and Krystyn
Zieliński from 1958-1967. On the one hand, their works are approached as
specific „paintings made of matter,” on the other, the significance of the
painting of the matter in postwar Polish art is determined much more pre-
cisely than before.
Maria Jankowska-Andrzejewska, Uniwersytet im. Adama Mickiewicza, Wy-
dział Historyczny, Instytut Historii Sztuki, al. Niepodległości 4, 61-874 Po-
znań, Poland.
PRZEKŁADY
Filip Merski, Uniwersytet im. Adama Mickiewicza, Wydział Historyczny, In-
stytut Historii Sztuki, al. Niepodległości 4, 61-874 Poznań, Poland.
Michał Mencfel, Uniwersytet im. Adama Mickiewicza, Wydział Historyczny,
Instytut Historii Sztuki, al. Niepodległości 4, 61-874 Poznań, Poland.
ABSTRAKTY
ABSTRACT. The work of the young Slovak artist Stefan Papco, Citizens, is
used as an example to illustrate mutual interactions of various types of im-
ages and their media. The composition of dispersed and manipulatively put
together artistic and technical images gains the socio-critical dimension of a
metaphorical reference to the story of the dissolution of citizenship in the
context of a manipulated society.
Ivan Gerat, PhD. Ivan Gerat, Ustav dejm umenia SAV, Slovenskâ akademia
vied, Dübravskâ cesta 9, SK-841 04 Bratislava 4, Slovakia.
Marian Zervan, PhD, Katedra dejin a teorie umenia, Filozofickâ fakulta,
Trnavska univerzita v Trnavie, Hornopotoćna 23, 918 43 Trnava, marian.
zervan@gmail.com
ABSTRACT. Maria Jankowska-Andrzejewska, Malarstwo materii w Polsce -
na marginesach odwilżowej „nowoczesności” [Painting of the Matter in Po-
land - on the Margins of the „Thaw” Modernity], „Artium Quaestiones”
XXVII, Poznań 2016, Adam Mickiewicz University Press, pp. 197-248, ISSN
0239-202X.
The topic of the essay is painting of the matter in Poland. Until now, the
works of art from which paint was eliminated in favor of other materials and
substances combined with painterly activities have been considered on the
margin of Polish art history. They have been approached in terms which do
not suit their visual identity, in a fragmentary way and in reference to some
selected aspects only. The author analyzes works by Jadwiga Maziarska,
Bronislaw Kierzkowski, Adam Marczyński, Teresa Rudowicz, and Krystyn
Zieliński from 1958-1967. On the one hand, their works are approached as
specific „paintings made of matter,” on the other, the significance of the
painting of the matter in postwar Polish art is determined much more pre-
cisely than before.
Maria Jankowska-Andrzejewska, Uniwersytet im. Adama Mickiewicza, Wy-
dział Historyczny, Instytut Historii Sztuki, al. Niepodległości 4, 61-874 Po-
znań, Poland.
PRZEKŁADY
Filip Merski, Uniwersytet im. Adama Mickiewicza, Wydział Historyczny, In-
stytut Historii Sztuki, al. Niepodległości 4, 61-874 Poznań, Poland.
Michał Mencfel, Uniwersytet im. Adama Mickiewicza, Wydział Historyczny,
Instytut Historii Sztuki, al. Niepodległości 4, 61-874 Poznań, Poland.