DOI Artikel:
Stanicka-Brzezicka, Ksenia: Design Jako Próba przywrócenia Kanonu?: Pojęcia, metody i dyskursy a niemieckie i śląskie wzornictwo pierwszej połowy XX wieku
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.73044#0068
66 Ksenia Stanicka-Brzezicka
arts was included in the research on searching for connections with Bauhaus as an
exemplification of the canon.
Design as historically understood industrial design and design as a creative ac-
tivity as the energy needed to produce a canonical utilitarian object, i.e. one whose
aesthetic or artistic value will go far beyond utilitarian, form the framework in the text
for methodological discussion, reflections on defining concepts and critical analysis of
scientific discourses and their possible junctures.
Keywords:
design, crafts, Silesia, modernism, canon
arts was included in the research on searching for connections with Bauhaus as an
exemplification of the canon.
Design as historically understood industrial design and design as a creative ac-
tivity as the energy needed to produce a canonical utilitarian object, i.e. one whose
aesthetic or artistic value will go far beyond utilitarian, form the framework in the text
for methodological discussion, reflections on defining concepts and critical analysis of
scientific discourses and their possible junctures.
Keywords:
design, crafts, Silesia, modernism, canon