in the statuę of the blessed Lodovica Albertone which was placcd in the church of S. Francesco
a Ripa in Rome, in the year 167414.
The group of Pluto and Prozerpina was the fourth sculpture of Bernini's early period renre-
senting a mythological theme. The f irst was the group of the Goat Amalthea with the Young Zeus
and Satyr done in the year 1615; the second one, in 1618 — Aeneas and Anehises, and the
third one — Neptune and Triton in 162015. After the Pluto and Prozerpina group two more
sculptures of the same character were executed — Apollo and Daphne, and as the last one —
the statuę of David in 1623ls.
The above mentioned works of Bernini were inspired not only by ancient literary sources
but t-!so by ancient sculpture of which he had a direct experience being the keeper in the Palazzo
14. WUtkower, op. cit., p. 236-237, no 76, fig. 116-117; Martinclli op. cii., p. 79, fig. 79 — gives the altitude of the whole figurę
1CG cm.
15. Wittkower, op. cii., p. 175, no 1, fig. 1; p. 179, no 8, fig. 10; no 9, fig. 11.
16. Ibidem, p. 183-184, no 18, fig. 14; p. 183, no 17, fig. 13.
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a Ripa in Rome, in the year 167414.
The group of Pluto and Prozerpina was the fourth sculpture of Bernini's early period renre-
senting a mythological theme. The f irst was the group of the Goat Amalthea with the Young Zeus
and Satyr done in the year 1615; the second one, in 1618 — Aeneas and Anehises, and the
third one — Neptune and Triton in 162015. After the Pluto and Prozerpina group two more
sculptures of the same character were executed — Apollo and Daphne, and as the last one —
the statuę of David in 1623ls.
The above mentioned works of Bernini were inspired not only by ancient literary sources
but t-!so by ancient sculpture of which he had a direct experience being the keeper in the Palazzo
14. WUtkower, op. cit., p. 236-237, no 76, fig. 116-117; Martinclli op. cii., p. 79, fig. 79 — gives the altitude of the whole figurę
1CG cm.
15. Wittkower, op. cii., p. 175, no 1, fig. 1; p. 179, no 8, fig. 10; no 9, fig. 11.
16. Ibidem, p. 183-184, no 18, fig. 14; p. 183, no 17, fig. 13.
54