DOI Heft:
Nr. 2-3
DOI Artikel:Jaroszewski, Tadeusz Stefan: "Karl Friedrich Schinkel and the Poles": Exhibition in the National Museum in Warsaw
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.18904#0091
3. Karl Friedrich Schinkel, View of the Church at Krzeszowice, drawing, 1823, Voivodship
State Archives in Cracow
several, better or lesser known, views of Frince Antoni Radziwiłł's palące, including a coloured
lithograph from Aleksander Duncker's publication and a lithograph from tlie journal Przyjaciel
Ludu (1836). Next to them, there were also a large reproduction of Kajetan Wincenty Kieli-
sińskfs drawing dating from circa 1840, with a view of the forester's lodge and mausolcmn,
an enlarged pholograph of the Antonin palące dating from about 1900 (Fig. 4), and a portrait
of Prince Antoni Radziwiłł by an unknown artist (Castle Museum at Łańcut).
The fourth section referred to Krzeszowice (Fig. 4). The fourtcen drawings dating from 1823
(Voivodship State Archives in Cracow) that were displayed herc included two initial designs
of the palące, a perspective view of the church, all signed by Schinkel, and detailed designs of
the palące and views of its interiors, as well as a view of the palące published by Schinkel in the
Sammlung architehlonischer Entwiirfe, which differs somewhat from the original drawing. The
section also featured a copy of a portrait of Artur Potocki, painted in 1819—20 by Franęois
Gerard (National Museum in Warsaw, Fig. 5), and, in a show-case, correspondence between the
architect and his customer.
The fifth section was concerned with the chateau in Kórnik. As no original drawings of the
planncd reconstruction of the Kórnik chateau bave been preseryed, the organizers put ou display
four plates from the Sammlung archiłektonischer Entwiirfe (1.835), designs by Antonio Corazzi
and Henryk Marconi dating from 1827, and by Marian Cybulski from circa 1850 (Kórnik Library).
There were also a lithograph by Maksymilian Fajans after a drawing by Napoleon Orda, which
showed a western vicw of the chateau (1880), an enlarged contemporary photograph of the
slruclurc, and a portrait of Tytus Adam Dzialyński ,who initiated the conversion of the chateau
(Kórnik Museum),
81
State Archives in Cracow
several, better or lesser known, views of Frince Antoni Radziwiłł's palące, including a coloured
lithograph from Aleksander Duncker's publication and a lithograph from tlie journal Przyjaciel
Ludu (1836). Next to them, there were also a large reproduction of Kajetan Wincenty Kieli-
sińskfs drawing dating from circa 1840, with a view of the forester's lodge and mausolcmn,
an enlarged pholograph of the Antonin palące dating from about 1900 (Fig. 4), and a portrait
of Prince Antoni Radziwiłł by an unknown artist (Castle Museum at Łańcut).
The fourth section referred to Krzeszowice (Fig. 4). The fourtcen drawings dating from 1823
(Voivodship State Archives in Cracow) that were displayed herc included two initial designs
of the palące, a perspective view of the church, all signed by Schinkel, and detailed designs of
the palące and views of its interiors, as well as a view of the palące published by Schinkel in the
Sammlung architehlonischer Entwiirfe, which differs somewhat from the original drawing. The
section also featured a copy of a portrait of Artur Potocki, painted in 1819—20 by Franęois
Gerard (National Museum in Warsaw, Fig. 5), and, in a show-case, correspondence between the
architect and his customer.
The fifth section was concerned with the chateau in Kórnik. As no original drawings of the
planncd reconstruction of the Kórnik chateau bave been preseryed, the organizers put ou display
four plates from the Sammlung archiłektonischer Entwiirfe (1.835), designs by Antonio Corazzi
and Henryk Marconi dating from 1827, and by Marian Cybulski from circa 1850 (Kórnik Library).
There were also a lithograph by Maksymilian Fajans after a drawing by Napoleon Orda, which
showed a western vicw of the chateau (1880), an enlarged contemporary photograph of the
slruclurc, and a portrait of Tytus Adam Dzialyński ,who initiated the conversion of the chateau
(Kórnik Museum),
81