DOI Page / Citation link:
https://doi.org/10.11588/diglit.68990#0135
36
ART
275 Swarzenski, G. Die Salzburger Malerei v. d. ersten Anfängen bis zur Blütezeit
des romanischen Stils. Studien zur Gesch. der deutschen Malerei und Hand-
schriftenkunde des Mittelalters. 1 vol. text and 1 vol. 135 plates with 457 iU-
Leipz. 1908—13« 2 vols. fol. Frs. 120.—
Interesting monograph on a special style of lOth to 13th Century book-illumination
of the Salzburg school, one of the most remarkable and prolific sets of German calligraphy in the
early Middle-Ages. Very important to the palaeographer as well as to the art-student.
276 Tietze, H. Die Sammlungen des Schlosses Grafenegg. Wien 1908. 4- M. 11 Taf.
u. 114 Abb. im Text. br. Frs. 15.—
Öst. Kunsttopogr. Bd. I, Beiheft.
277 Venice. — Cicognara, L., A. Diedo et G. Selva. Le fabbriche e i monumenti
cospicui di Venezia. Edizione con copiose note ed aggiunte di F. Zanotto ar-
ricchita di nuove tavole e della versione francese. 2 vol. Venezia, Antonelli, 1858.
gr. in-fol. Avec 259 plan dies d’architecture. Demi-toile. Frs. 180.—
Bel exemplaire de cet ouvrage estime avec titres et texte fran?ais et italien.
278 Vienna. — Engerth, E. v. Die Kaiserl. Gemälde-Galerie (Belvedere) in Wien.
2 vols. Wien 1889—91. fol. 120 heliograv. plates with reproductions of the
most prominent pictures of old masters in the Vienna Imperial Picture-Gallery.
24 pts. in cloth, portfol. Frs. 120.—
The masterworks by Breughel, Durer, Correggio, van Dyck, Holbein, Rembrandt, Rubens,
Titian etc. in excellent reproductions.
279 Villard de Honnecourt. Album de V. d. H. architecte du Xllie siede. Manuscrit
publie en fac-simile annote. Suivi d’un Glossaire par J. B. A. Lassus, ouv. mis
ä jour par A. Darcel. Paris 1858. in-4. Avec 72 planches et le portrait de
Lassus. D.-veau. Frs. 100.—
Graesse VI, 2, p. 320. Brunet V, col. 1233. „Ouvrage fort curieux“. Contient les beiles
planches en fac-simile d’aprös les dessins et notes du celöbre architecte Villard reproduits d’apres
un manuscrit du XITIme siöcle dans la Bibliothfeque Nationale ä Paris.
280 Vitruvius Pollio, L. De architeciura libri X, traducti de latino in
Vulgare affigurati, commentati. Como, Gotardo da Ponte, 1521.
toi. 8 unn., 183 numb., 1 unn. 11. With numerous fine and interesting
woodcuts (many full-page), beautifiil initials and 2 printer’s devices.
Original blind stamped brown calf on wooden boards, 4 different
roll-stamped borders adorned with allegorical representations and
portrait medallions (clasps wanting). Frs. 750.—
Brunet V, 1330. Cicognara 698; Riccardi col. 610—11. Kristeller, Lom-
bard. Graphik pp. 59—61 and 168 (no. 362).
The very scarce first Italian edition of this famous work
edited by Bono Mauro, Bened. Giov. Comasco, and Ces. Cesariano.
This is also the best edition with the finest illustrations. “In
the group of Milanese woodcuts of what may be called the Lionardesque school,
we must include . . . the illustrations in the Vitruvius of Cesare Cesariano, pu-
blished in 1521 at Como, but is to be regarded as a genuine Milanese pro-
duction.“ (Lippmann pp. 151—52.)
KATALOG Nr. 200 DES BUCH- UND KUNSTANTIQUARIATES
ART
275 Swarzenski, G. Die Salzburger Malerei v. d. ersten Anfängen bis zur Blütezeit
des romanischen Stils. Studien zur Gesch. der deutschen Malerei und Hand-
schriftenkunde des Mittelalters. 1 vol. text and 1 vol. 135 plates with 457 iU-
Leipz. 1908—13« 2 vols. fol. Frs. 120.—
Interesting monograph on a special style of lOth to 13th Century book-illumination
of the Salzburg school, one of the most remarkable and prolific sets of German calligraphy in the
early Middle-Ages. Very important to the palaeographer as well as to the art-student.
276 Tietze, H. Die Sammlungen des Schlosses Grafenegg. Wien 1908. 4- M. 11 Taf.
u. 114 Abb. im Text. br. Frs. 15.—
Öst. Kunsttopogr. Bd. I, Beiheft.
277 Venice. — Cicognara, L., A. Diedo et G. Selva. Le fabbriche e i monumenti
cospicui di Venezia. Edizione con copiose note ed aggiunte di F. Zanotto ar-
ricchita di nuove tavole e della versione francese. 2 vol. Venezia, Antonelli, 1858.
gr. in-fol. Avec 259 plan dies d’architecture. Demi-toile. Frs. 180.—
Bel exemplaire de cet ouvrage estime avec titres et texte fran?ais et italien.
278 Vienna. — Engerth, E. v. Die Kaiserl. Gemälde-Galerie (Belvedere) in Wien.
2 vols. Wien 1889—91. fol. 120 heliograv. plates with reproductions of the
most prominent pictures of old masters in the Vienna Imperial Picture-Gallery.
24 pts. in cloth, portfol. Frs. 120.—
The masterworks by Breughel, Durer, Correggio, van Dyck, Holbein, Rembrandt, Rubens,
Titian etc. in excellent reproductions.
279 Villard de Honnecourt. Album de V. d. H. architecte du Xllie siede. Manuscrit
publie en fac-simile annote. Suivi d’un Glossaire par J. B. A. Lassus, ouv. mis
ä jour par A. Darcel. Paris 1858. in-4. Avec 72 planches et le portrait de
Lassus. D.-veau. Frs. 100.—
Graesse VI, 2, p. 320. Brunet V, col. 1233. „Ouvrage fort curieux“. Contient les beiles
planches en fac-simile d’aprös les dessins et notes du celöbre architecte Villard reproduits d’apres
un manuscrit du XITIme siöcle dans la Bibliothfeque Nationale ä Paris.
280 Vitruvius Pollio, L. De architeciura libri X, traducti de latino in
Vulgare affigurati, commentati. Como, Gotardo da Ponte, 1521.
toi. 8 unn., 183 numb., 1 unn. 11. With numerous fine and interesting
woodcuts (many full-page), beautifiil initials and 2 printer’s devices.
Original blind stamped brown calf on wooden boards, 4 different
roll-stamped borders adorned with allegorical representations and
portrait medallions (clasps wanting). Frs. 750.—
Brunet V, 1330. Cicognara 698; Riccardi col. 610—11. Kristeller, Lom-
bard. Graphik pp. 59—61 and 168 (no. 362).
The very scarce first Italian edition of this famous work
edited by Bono Mauro, Bened. Giov. Comasco, and Ces. Cesariano.
This is also the best edition with the finest illustrations. “In
the group of Milanese woodcuts of what may be called the Lionardesque school,
we must include . . . the illustrations in the Vitruvius of Cesare Cesariano, pu-
blished in 1521 at Como, but is to be regarded as a genuine Milanese pro-
duction.“ (Lippmann pp. 151—52.)
KATALOG Nr. 200 DES BUCH- UND KUNSTANTIQUARIATES
