International studio (40.1910)

Albert Goodwin, R.W.S.

"Venice" [In the possession of William Vivian, Esq.) by albert Goodwin, k.w.s.

shown the more effectively because each of these glories of an amazing sunset, and the setting forth

reproductions illustrates a different phase of his of the climax in a romance which nature has

practice. The Westminster is not a representation invented. The Bristol, on the other hand, is not

of a familiar London landmark or a piece of a drama, but a decoration exquisitely adjusted

painted topography; it is a record of a dramatic and lovely in its quiet grace—a pattern of delicately

episode in nature. The towers of the Houses of treated lines which, despite its actual complexity,

Parliament certainly localise the scene, but they has Ithe appearance of absolute simplicity. The

add nothing to the real interest of a picture the Boat Builder's Yard strikes yet another note, a

motive of which is purely the realisation of the gentle note of nature's poetry; it has no intentional

■mm m

; castellammare" (In the possession of William Vivian, Esq.) by albert goodwin, r.w.s.

92