The Arts and Crafts Society's Exhibition
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The modern developments of needlecraft owe
much to the encouragement they have received at
the various exhibitions of the Arts and Crafts
Society, and in his preface to the catalogue Mr.
Walter Crane pointed out that embroidery was
particularly well represented at the New Gallery.
Some of it was indeed astonishingly skilful.
Miss Violet Turner's reproductions of pictures
were worthy of the famous Miss Linwood, whose
gallery a century ago was one of the sights
to which all children in London were taken.
Mr. Crane's Masque of the Four Seasons and two
pictures by Burne-Jones were among the things
successfully reproduced by this accomplished
needlewoman. Miss Kate Button in Where Sea-
gulls Play showed a landscape with sea and sky
and wet sands—certainly a clever piece of work,
though one is prompted to ask whether it is worth
1
inscription in carved and gilded gesso
BY F. STUTTIG
while to strive to accomplish with
so much effort and trouble what a
painter could do more quickly and
easily, and incomparably better.
Another lady showed a careful re-
presentation in needlework of an
ancient map of old London — a
work without any beauty or deco-
rative value, and only to be
regarded as an exercise. Far
more attractive and legitimate was
the fire-screen of grey silk designed
by Mr. C. F. A. Voysey, and worked
by Mrs. Reynolds-Stephens, with
its formal but charming rose-tree
embroidered with red blossoms
and rich green leaves.
Mrs. Reynolds-Stephens was not
the only embroideress at the Arts
and Crafts Exhibition who could—
". . . . With her neeld compose
. Nature's own shape of bud, bird,
branch, or berry,"
and there were there besides speci-
mens of many other forms of
skilled needlework. Miss Peart's
delightful little frock for a tiny
girl, in buff and red tussore silk,
and another of linen, on a similar
scale, with scarlet embroideries;
elton ware Lancastrian pottery exhi- Mi Kathleen Turner's embroi-
designed by e. h. elton bited by the pilkington IVdUllten LUmerS emOrOl
executed by g. masters tile & pottery co. dered handkerchiefs, and Mrs.
109
sera a lqttgkof test sptss
Lipia to spai-3u..3»myi&Ts*«s;'r??.
nno JODD b^> fi>^> s p ycuwrs?
RQTUJVneuD to fl)Q36r%*psi4r*
sax R§grv--sfjP> prop saLx.^s<^^
RQjirv-ejR is parr t aa vision op
two pf-..:.. p pp s^.-'.rrai pro©
BSoyE"# p:pp -^fs^^s
cksp p^ 5 ppp-ptppp-s 7dto
The modern developments of needlecraft owe
much to the encouragement they have received at
the various exhibitions of the Arts and Crafts
Society, and in his preface to the catalogue Mr.
Walter Crane pointed out that embroidery was
particularly well represented at the New Gallery.
Some of it was indeed astonishingly skilful.
Miss Violet Turner's reproductions of pictures
were worthy of the famous Miss Linwood, whose
gallery a century ago was one of the sights
to which all children in London were taken.
Mr. Crane's Masque of the Four Seasons and two
pictures by Burne-Jones were among the things
successfully reproduced by this accomplished
needlewoman. Miss Kate Button in Where Sea-
gulls Play showed a landscape with sea and sky
and wet sands—certainly a clever piece of work,
though one is prompted to ask whether it is worth
1
inscription in carved and gilded gesso
BY F. STUTTIG
while to strive to accomplish with
so much effort and trouble what a
painter could do more quickly and
easily, and incomparably better.
Another lady showed a careful re-
presentation in needlework of an
ancient map of old London — a
work without any beauty or deco-
rative value, and only to be
regarded as an exercise. Far
more attractive and legitimate was
the fire-screen of grey silk designed
by Mr. C. F. A. Voysey, and worked
by Mrs. Reynolds-Stephens, with
its formal but charming rose-tree
embroidered with red blossoms
and rich green leaves.
Mrs. Reynolds-Stephens was not
the only embroideress at the Arts
and Crafts Exhibition who could—
". . . . With her neeld compose
. Nature's own shape of bud, bird,
branch, or berry,"
and there were there besides speci-
mens of many other forms of
skilled needlework. Miss Peart's
delightful little frock for a tiny
girl, in buff and red tussore silk,
and another of linen, on a similar
scale, with scarlet embroideries;
elton ware Lancastrian pottery exhi- Mi Kathleen Turner's embroi-
designed by e. h. elton bited by the pilkington IVdUllten LUmerS emOrOl
executed by g. masters tile & pottery co. dered handkerchiefs, and Mrs.
109