DOI Heft:
Nr. 159 (May 1910)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19866#0305
Studio- Talk
rich, warm colour scheme is executed with verve. ■ ~V ARIS.—The two works by the Russian
Mr. Robert Hope in The Pedlar gives a clever study 1 3 sculptor, Naoum Aronson, which we
of a pawky old hawker and three youthful ladies here reproduce, illustrate the range of
listening amusedly to his beguiling appraisements, this distinguished sculptor's art, other
while Mr. Graham Glen's A Jacobite Song embodies examples of which were given in an earlier number
the flavour of the period. Imitative in idea, Mr. of The Studio (August, 1906, pages 255—257).
E. A. Borthwick's The Golden Age has much of The powerful and sympathetic impressionism of Le
the Weissnicht- Wo charm. Mr. William Hole's Vdllard is as admirable as, though wholly different
is the Lord, one of his series depicting the Life of to, the exquisite finish of the study for a child's head,
Christ, is deeply reverential, and Mr. John Duncan while in both M. Aronson shows the same keen
has attained no little success in his youthful Christ search for form, as well as a subtlety of modelling
reading the Messianic prophecies. This artist's which conveys the difference in texture between the
Yorinda and Yoringel in the Witches' Wood is a skin of a veteran and the bloom of youth. F. R.
charming phantasy in a delicate colour scheme. ----
Mr. Robert McGregor's The Potato Digger, is During the past winter the number of " one-
notable for the soft opalescence of its colour. The man shows " in Paris has been greater than usual,
large domestic picture The Fisherman's Hearth, for artists seem more and more to lose interest in
by Mr. Marshall Brown,
forms ample justification
of last year's election to
associate rank, while The
Breezy Bents, by Mr. R.
Gemmell Hutchison, well
conveys its descriptive
title. _
At the head of the
animal painters is Mr.
Robert Alexander, whose
Auld Preens has, like Mr.
MacGeorge's Kirkcud-
bright landscape, been
promptly acquired by the
Scottish Modern Arts
Association. The Swan's
Last Voyage, by Mr.
William Walls, is a bril-
liant success, and The
Encampment, by Mr.
George Smith, is a virile
study of horses beside a
gipsy caravan, while The
Watch Dog, by Mr.
George Pirie, is weirdly
pathetic. The Water-
Colour Room is above
average, and there is a
fairly good collection of
sculpture, largely English,
some interesting minia-
tures, and architectural
and black-and-white
drawings. A. E.
230
"le veillard" (bronze)
by naoum aronson
rich, warm colour scheme is executed with verve. ■ ~V ARIS.—The two works by the Russian
Mr. Robert Hope in The Pedlar gives a clever study 1 3 sculptor, Naoum Aronson, which we
of a pawky old hawker and three youthful ladies here reproduce, illustrate the range of
listening amusedly to his beguiling appraisements, this distinguished sculptor's art, other
while Mr. Graham Glen's A Jacobite Song embodies examples of which were given in an earlier number
the flavour of the period. Imitative in idea, Mr. of The Studio (August, 1906, pages 255—257).
E. A. Borthwick's The Golden Age has much of The powerful and sympathetic impressionism of Le
the Weissnicht- Wo charm. Mr. William Hole's Vdllard is as admirable as, though wholly different
is the Lord, one of his series depicting the Life of to, the exquisite finish of the study for a child's head,
Christ, is deeply reverential, and Mr. John Duncan while in both M. Aronson shows the same keen
has attained no little success in his youthful Christ search for form, as well as a subtlety of modelling
reading the Messianic prophecies. This artist's which conveys the difference in texture between the
Yorinda and Yoringel in the Witches' Wood is a skin of a veteran and the bloom of youth. F. R.
charming phantasy in a delicate colour scheme. ----
Mr. Robert McGregor's The Potato Digger, is During the past winter the number of " one-
notable for the soft opalescence of its colour. The man shows " in Paris has been greater than usual,
large domestic picture The Fisherman's Hearth, for artists seem more and more to lose interest in
by Mr. Marshall Brown,
forms ample justification
of last year's election to
associate rank, while The
Breezy Bents, by Mr. R.
Gemmell Hutchison, well
conveys its descriptive
title. _
At the head of the
animal painters is Mr.
Robert Alexander, whose
Auld Preens has, like Mr.
MacGeorge's Kirkcud-
bright landscape, been
promptly acquired by the
Scottish Modern Arts
Association. The Swan's
Last Voyage, by Mr.
William Walls, is a bril-
liant success, and The
Encampment, by Mr.
George Smith, is a virile
study of horses beside a
gipsy caravan, while The
Watch Dog, by Mr.
George Pirie, is weirdly
pathetic. The Water-
Colour Room is above
average, and there is a
fairly good collection of
sculpture, largely English,
some interesting minia-
tures, and architectural
and black-and-white
drawings. A. E.
230
"le veillard" (bronze)
by naoum aronson