International studio (40.1910)

Studio- Talk

among his contributions.
Some of the fragrance of
the citron, which in sum-
mer is wafted afar on the
winds, seems to cling to
this. In the studies ex-
hibited by Karl Pippich,
made during the interval
the Austrian Lloyd's
"Thalia" was in port, the
artist has portrayed the
characteristics of the
different harbours and the
varying phases of life to
be observed in them, and
has transcribed these
varying moods with a
vigour and richness of

"a spring day" by max suppantsch itsch tone. Oswald Grill's draw-

ings in coloured chalks,

the same effect as pure water-colour. Hugo a study by J. Eppstein, David Kohn's portrait
Darnaut is one of these, and he has successfully drawings in red chalk, O. Ruzicka's sketches of
employed the tempera medium in rendering atmo- peasants in his now well-known manner, all deserve
spheric effects in An Old Park. Max Sup- mention, as do H. Rauchinger's spirited pen-and-
pantschitsch contributed some attractive motives ink drawings of famous men, and Otto Herschel's
from the Wachau, that ancient and beautiful spot fine study of a child's head; A. H. Karlinsky,
on the Danube which so many painters haunt; Ludwig Koch, and Alfred Wesemann also showed
his work is both broad in
treatment and delicate in
colour, and these qualities
give it a peculiar charm.
Eduard Ameseder, R.
Konopa, Josef Kopp, A.
Zopp, and Ernst Payer were
well represented. Eduard
Zetsche, who gave some
pleasant glimpses of the
scenery of Lower Austria, for
which he evinces a special
liking, is a keen observer of
nature, and is enamoured
of ancient buildings and old
gardens, and Hans Ranzoni
is another to whom the
architecture of past ages is
a fascination. His treatment
is simple, his colouring is
always effective, for he loves
those deep plum-red tones
peculiar to ancient brick-
work. Robert Russ also
favours architecture. His
Citron Garden, Limone (Lake
Garda), merits the first place photograph