Studio-Talk
CURIOSITY BY IRMA VON DUCZYKSKA
the influence of Ferdinand Andri, under whose sympathiser by the death at the age of sixty-six of
guidance she discovered the particular field for the eminent art critic, Ludwig Hevesi. It was he,
which her talents fitted her. When her work was who, when a number of young artists, among
■exhibited at the Secession in 1901 it was very them Josef Olbrich, Hoffmann, Klimt, Engelhart
cordially received. Many of her woodcuts have and Kolo Moser, showed themselves dissatisfied
been acquired for the various collections, the with the old methods, encouraged them to form
Albertina and Imperial Library in Vienna, in the "Secession," and when Olbrich built the
Budapest, in Cracow, and in Dresden. In her Secession Gallery, Hevesi wrote the memorable
portraits also Fraulein von Duczynska has met inscription for it, " Der Zeit ihre Kunst, der Kunst
with due success. Those shown proved her ihre Freiheit.;' For twelve long years he has
facility not only in delineating the features, but in never failed to attend the exhibitions held there
revealing the soul of her sitters. It is, however, in and at the Hagenbund and other galleries. Hevesi
her portrayal of children that she is at her best, had travelled near and far, was well versed in both
Here her work reveals an intimate understanding ancient and modern art, and was thoroughly in-
of juvenile character, and for confirmation of formed of the English movement, which always
this one need only point to the two works here found favour in his eyes. He was the author of
reproduced. _ a large number of essays and several volumes
bearing on art, and it will be remembered that he
The modern movement in art has lost a warm contributed to the Special Number of The Studio
235
CURIOSITY BY IRMA VON DUCZYKSKA
the influence of Ferdinand Andri, under whose sympathiser by the death at the age of sixty-six of
guidance she discovered the particular field for the eminent art critic, Ludwig Hevesi. It was he,
which her talents fitted her. When her work was who, when a number of young artists, among
■exhibited at the Secession in 1901 it was very them Josef Olbrich, Hoffmann, Klimt, Engelhart
cordially received. Many of her woodcuts have and Kolo Moser, showed themselves dissatisfied
been acquired for the various collections, the with the old methods, encouraged them to form
Albertina and Imperial Library in Vienna, in the "Secession," and when Olbrich built the
Budapest, in Cracow, and in Dresden. In her Secession Gallery, Hevesi wrote the memorable
portraits also Fraulein von Duczynska has met inscription for it, " Der Zeit ihre Kunst, der Kunst
with due success. Those shown proved her ihre Freiheit.;' For twelve long years he has
facility not only in delineating the features, but in never failed to attend the exhibitions held there
revealing the soul of her sitters. It is, however, in and at the Hagenbund and other galleries. Hevesi
her portrayal of children that she is at her best, had travelled near and far, was well versed in both
Here her work reveals an intimate understanding ancient and modern art, and was thoroughly in-
of juvenile character, and for confirmation of formed of the English movement, which always
this one need only point to the two works here found favour in his eyes. He was the author of
reproduced. _ a large number of essays and several volumes
bearing on art, and it will be remembered that he
The modern movement in art has lost a warm contributed to the Special Number of The Studio
235