International studio (40.1910)

Studio- Talk

of artists and modern women. His technical sure-
ness has profited much by 'the teachings of the
Polyklet epoch.

At the Kunstlerhaus Hans Herrmann has been
showing. It was a real pleasure to see pictorial ex-
cellence in subjects from North German landscape
and Dutch life, in which circumspection of method
was to be seen, coupled with the modernist's joy
in brightness and freshness.

At Fritz Gurlitt's an exhibition of carefully sifted
Interiors and Still-lifes testified to the unbiassed
standpoint of this salon. The whole register of
methods from the Netherlandish classics to Van
Gogh was displayed, and merit was recognisable in
exponents of every style. Prominent among the
artists represented were Ludwig Stutz, Ernst Oppler,
Mosson, Georgette Meunier, Angelina Drumaux,

Stremel, Henriette Steinhausen, and Ulrich Hub-
ener, whose subtle brush has hit upon a real
treasure - house in the Rococo and Biedermeier
interiors of Queen Luise's charming Castle Paretz.

J- J-

AMSTERDAM.—The three etchings by
Mr. W. O. J. Nieuwenkamp, which are
here reproduced, are interesting examples
of the work of an artist whose methods
and outlook are his own. The personal note is
especially manifest in the two Dutch plates,
both of them admirable as technical achievements
and as representations of the quaint architecture
and life of the little towns of the Netherlands.
Nieuwenkamp, who is a native of Amsterdam,
has taken up his abode at Edam, where he has
planned and built for himself a typically Dutch
house on the banks of a canal leading to the

."FALLING LEAVES, AMERSFOORT " BY W. O. J. NIEUWENKAMP

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