International studio — 40.1910
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https://doi.org/10.11588/diglit.19866#0316
DOI Heft:
Nr. 159 (May 1910)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19866#0316
Studio- Talk
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fife
FRESCO FRIEZES IN THE NEW ACADEMY OF MUSIC, BUDAPEST BY ALADAR KOROSFOI
is one in which comparatively few artists work fourteenth century, in which the artist has sounded
nowadays. The two friezes represent respectively a more festive note. The idea which the artist
ecclesiastical and secular music, the former aptly has sought to embody in the friezes is extended
symbolized by a procession of choristers, and the and emphasized in the large painting which he
latter by a Hungarian bridal procession of the has executed in the hall of the palace. Here a.
M M
Witfiiiftnlii-^Hniir f infillMmL.li.^ilui_Ji
FRESCO PAINTING IN THE NEW ACADEMY OF MUSIC, BUDAPEST
BY ALADAR KOROSFOI
mMSm
m .
fife
FRESCO FRIEZES IN THE NEW ACADEMY OF MUSIC, BUDAPEST BY ALADAR KOROSFOI
is one in which comparatively few artists work fourteenth century, in which the artist has sounded
nowadays. The two friezes represent respectively a more festive note. The idea which the artist
ecclesiastical and secular music, the former aptly has sought to embody in the friezes is extended
symbolized by a procession of choristers, and the and emphasized in the large painting which he
latter by a Hungarian bridal procession of the has executed in the hall of the palace. Here a.
M M
Witfiiiftnlii-^Hniir f infillMmL.li.^ilui_Ji
FRESCO PAINTING IN THE NEW ACADEMY OF MUSIC, BUDAPEST
BY ALADAR KOROSFOI