DOI Heft:
Nr. 160 (June 1910)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19866#0419
Studio-Talk
directing spirit. His solemn perpendicular style Jaques Casper has opened a second art salon
is stamped upon the entrance-hall, in which brownish in the west end of Berlin, and his carefully selected
marbles cover walls and floor. The timber-work paintings here certainly show to greater advantage,
of the ceiling is kept in black-and-gold, and only He has organised a one-man show for Friedrich
significant symbols or antique motifs occur in the Stahl, the remarkable re-animator of early Floren-
ornamentation ; but in an establishment where all tine Renaissance, and F. Apol, the distinguished
sorts of rarities, ancient and modern, are brought to- Belgian landscapist.
gether, such a style could not possibly be maintained
throughout, and the various interiors have there- "¥ 71ENNA.—Rudolf Kalvach, two of whose
fore been treated according to their contents. A \ / wood-engravings are here re-produced,
square hall, in olive outfit and lighted from the \/ studied under Professors Roller and
ceiling, is destined for exhibiting pictures and » Czeschka at the Imperial Arts and
sculpture. All the rooms on the entire first storey Crafts Schools, where, it is needless to say, his
are decorated in one or other historical style, training was an efficient one. His earlier years,
The second storey contains modern interiors, and and in later life his holidays, were spent at Trieste,
good taste has directed all the dispositions, where the wharves, the docks and the harbour were
Eccentricities are strictly avoided and the prin- a continual source of attraction to him, so much
ciples of soundness and reserve carried out every- so indeed that he passed every available moment
where. The contributors include craftsmen like studying the ships and the busy life and
Peter Behrens, Albin Miiller, Billing, Grenander commotion at the port. Here was his centre of
and Mohring, whose names in themselves form a interest, and he early began to make studies for a
programme. Professor
Behrens' Empire salon is
has contrived as wall- | ^h^MM tR/amu\rtftYk imJ/I^m
decoration H Sv\A»\flDLjBI^J ^^^Bk <l if l/f* BE^EswH
tions, covered with a 9^vSH
material, each H ^P^^BBrjl ^t«^«»^^^^^^r^^^l^^^^^^m
which contains a massive
wreath as central piece SESi
corresponding to circles ^tJ^^^^L. "^W. ^^^^^J
in the ceiling. This sat- HB^^^. ^Jf^^T"1"^^!
isfies the geometrical bent ■f'^V \ _ \ I
of the artist, but does not lb V^^^. X. a >^BbS^^S
for a picture. Professor ■^u3f^^i|^
Muller is Viennese when S9 BF^P Kil
he covers the whole wall- ■EvBcffloi HMDKYll^^^S^wtw
space in his dining-room Bltt BHHM ft llU
with white lacquered HIQqQS I II k3*^B
wood with black lac- H P|
queredwood borders, and Sy^^^^S^^^nLC " 11 _\f\PC^^^
one beautiful piece of Wlf^fftrtr^^l^^^^' ft * » .""KM^^i^^^
hand-woven tapestry after ^SBp^^•^^■|uH SSP^BHlP'B
design way of fiB»SMC 3^ r^^.^^'^^tiEkd^SSjr^t^mi^^^
additional decoration. W * f ^9E£*-mlljE. H<*gl^m
The third storey ^^^W t/J ^v9<9 I^WCji
building S Su 1//IjSjB^^^^^ ^Mitof^*n
equipment for W*^3B^^*^^Mm^^^^s^QK£^ Itf
on ground- 9 BAJH^^^^m^^'^^^V J^^^^^^W
floor m H i^^^ I MBtaa
general survey of present- ^^^^^^^^tK^BBm^KKmmmmmmmBKmU
day art production. ><. ,,.„.„,. „ ,
trieste" (wood engraving) by r. kalvach
320
directing spirit. His solemn perpendicular style Jaques Casper has opened a second art salon
is stamped upon the entrance-hall, in which brownish in the west end of Berlin, and his carefully selected
marbles cover walls and floor. The timber-work paintings here certainly show to greater advantage,
of the ceiling is kept in black-and-gold, and only He has organised a one-man show for Friedrich
significant symbols or antique motifs occur in the Stahl, the remarkable re-animator of early Floren-
ornamentation ; but in an establishment where all tine Renaissance, and F. Apol, the distinguished
sorts of rarities, ancient and modern, are brought to- Belgian landscapist.
gether, such a style could not possibly be maintained
throughout, and the various interiors have there- "¥ 71ENNA.—Rudolf Kalvach, two of whose
fore been treated according to their contents. A \ / wood-engravings are here re-produced,
square hall, in olive outfit and lighted from the \/ studied under Professors Roller and
ceiling, is destined for exhibiting pictures and » Czeschka at the Imperial Arts and
sculpture. All the rooms on the entire first storey Crafts Schools, where, it is needless to say, his
are decorated in one or other historical style, training was an efficient one. His earlier years,
The second storey contains modern interiors, and and in later life his holidays, were spent at Trieste,
good taste has directed all the dispositions, where the wharves, the docks and the harbour were
Eccentricities are strictly avoided and the prin- a continual source of attraction to him, so much
ciples of soundness and reserve carried out every- so indeed that he passed every available moment
where. The contributors include craftsmen like studying the ships and the busy life and
Peter Behrens, Albin Miiller, Billing, Grenander commotion at the port. Here was his centre of
and Mohring, whose names in themselves form a interest, and he early began to make studies for a
programme. Professor
Behrens' Empire salon is
has contrived as wall- | ^h^MM tR/amu\rtftYk imJ/I^m
decoration H Sv\A»\flDLjBI^J ^^^Bk <l if l/f* BE^EswH
tions, covered with a 9^vSH
material, each H ^P^^BBrjl ^t«^«»^^^^^^r^^^l^^^^^^m
which contains a massive
wreath as central piece SESi
corresponding to circles ^tJ^^^^L. "^W. ^^^^^J
in the ceiling. This sat- HB^^^. ^Jf^^T"1"^^!
isfies the geometrical bent ■f'^V \ _ \ I
of the artist, but does not lb V^^^. X. a >^BbS^^S
for a picture. Professor ■^u3f^^i|^
Muller is Viennese when S9 BF^P Kil
he covers the whole wall- ■EvBcffloi HMDKYll^^^S^wtw
space in his dining-room Bltt BHHM ft llU
with white lacquered HIQqQS I II k3*^B
wood with black lac- H P|
queredwood borders, and Sy^^^^S^^^nLC " 11 _\f\PC^^^
one beautiful piece of Wlf^fftrtr^^l^^^^' ft * » .""KM^^i^^^
hand-woven tapestry after ^SBp^^•^^■|uH SSP^BHlP'B
design way of fiB»SMC 3^ r^^.^^'^^tiEkd^SSjr^t^mi^^^
additional decoration. W * f ^9E£*-mlljE. H<*gl^m
The third storey ^^^W t/J ^v9<9 I^WCji
building S Su 1//IjSjB^^^^^ ^Mitof^*n
equipment for W*^3B^^*^^Mm^^^^s^QK£^ Itf
on ground- 9 BAJH^^^^m^^'^^^V J^^^^^^W
floor m H i^^^ I MBtaa
general survey of present- ^^^^^^^^tK^BBm^KKmmmmmmmBKmU
day art production. ><. ,,.„.„,. „ ,
trieste" (wood engraving) by r. kalvach
320