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Jameson, Anna
Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs — London: Saunders and Otley, 1844

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https://doi.org/10.11588/diglit.61252#0183

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THE BRIDGEWATER GALLERY. 139
158 Interior of a Study—with Gerard Douw himself seated
at a table, and holding a violin. He appears to have just
ceased playing, and is looking round. A globe and music
book on the table, and various utensils, books, &c., are
scattered on the floor. Dated 1647. One of the most ex-
quisite works of the painter.
P. 12j- in. by 9| in. Arched top. (Smith's Cat. 102.)
DUSART (Cornelius). [A very successful imitator of Adrian van
Ostade.]
159 The Interior of a Cottage—with boors gambling.
160 A Dutch Cabaret—with boors regaling.
Both 16| in. by 13 in.
FYT (Jan), flourished at Antwerp, 1652.
161 A Mastiff Dog—chained to his kennel, just beyond the
reach of his food; a picture which, from its spirit and ex-
. cellence, was once attributed to Velasquez: but very un-
pleasant. C. 1 ft. in. by 2 ft. 1J in.
GONZALES COQUES, b. 1618; d. 1684. (See p. 23.)
[A charming painter of portraits and fancy pieces on a small scale.]
162 Frederick, Elector Palatine, King of Bohemia.—
Small full length, in black.
163 Elizabeth, Queen of Bohemia—daughter of James I.
Small full length in blue. Each 13 in. by 10| in.
J think it not unlikely that these little portraits were
painted for Charles I.
164 Portrait of David Teniers.—Small half length, in
black. Extremely fine. Purchased by Lord Francis
Egerton from Watson Taylor’s collection.
HALS (Frank), b. at Malines, 1584 ; d. 1666.
[An excellent portrait painter, contemporary with Van Dyck.]
165 Portrait of a Woman—in a large full ruff. In the
style of Rembrandt.
 
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