120
CONCLUSION.
been the first who has ever offered those ideas to the
public in the form of a drawing book. Let other and
better artists than myself do as I have done, and we
shall no longer see drawing masters who cannot draw,
and students who do not know what they are doing.
CONCLUSION.
I have now arrived at the end of this Treatise on
the Art of Drawing in Water-Colours; and though it
o ' cl
consists of fewer pages than most works of this kind, I
trust it will be found fully sufficient to answer the pur-
pose intended, which is, to afford those who are un-
acquainted with drawing, the means of acquiring it with-
out the aid of a master. Many will perhaps say, that I
am advancing more than my work will make good ;
in answer to which, I must beg those persons to recol-
lect, that many of our best artists have raised them-
selves to their present eminence by their own exertions
alone, unaided even by a drawing-book ; that to acquire
this art depends almost entirely on the pupil * ; and that
* As I have before observed, a bad master may prevent the
student from getting on so fast as he otherwise would, if aided by
a good instructor, hut the best master can never advance his
pupil, if the latter does not aid his endeavours by attention and
industry.
CONCLUSION.
been the first who has ever offered those ideas to the
public in the form of a drawing book. Let other and
better artists than myself do as I have done, and we
shall no longer see drawing masters who cannot draw,
and students who do not know what they are doing.
CONCLUSION.
I have now arrived at the end of this Treatise on
the Art of Drawing in Water-Colours; and though it
o ' cl
consists of fewer pages than most works of this kind, I
trust it will be found fully sufficient to answer the pur-
pose intended, which is, to afford those who are un-
acquainted with drawing, the means of acquiring it with-
out the aid of a master. Many will perhaps say, that I
am advancing more than my work will make good ;
in answer to which, I must beg those persons to recol-
lect, that many of our best artists have raised them-
selves to their present eminence by their own exertions
alone, unaided even by a drawing-book ; that to acquire
this art depends almost entirely on the pupil * ; and that
* As I have before observed, a bad master may prevent the
student from getting on so fast as he otherwise would, if aided by
a good instructor, hut the best master can never advance his
pupil, if the latter does not aid his endeavours by attention and
industry.