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Studio: international art — 31.1904

DOI issue:
No. 132 ( March, 1904)
DOI article:
Studio-talk
DOI Page / Citation link:
https://doi.org/10.11588/diglit.19881#0186

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Studio- Talk

MARBLE BUST BY OTTO HOFNER

CERAMICS BY BRUNO EMMEL CODING

These show much originality and judgment. The ticularly refreshing—especially so, I should say, on

work—which is executed by the artist himself— a hot summer's day; there is an air of much

is carried out in stucco, cement, and beaten metal. daintiness about it. The framework is of alder

Herr Schufinsky also showed much taste in the wood polished black; the backs and seats are

arrangement of some of the rooms. Herr Otto of wicker-work painted white with enamel.

Hofner sent many pieces of sculpture which showed Fraulein Krasnik is very versatile in her designs,

that he is a sound artist who has a future before and is, besides, many-sided; at present she has

him. A Fisher?nan is very realistic—the sculptor devoted herself to no one particular branch of her

having been particularly happy in catching the right art. Alexander Hartmann shows great aptitude in

expression. In his marble bust, set with onyx, his book illustrations and his designs for litho-

copper, and mother-of-pearl, Herr Hofner is again graphs. He is rich in ideas and possesses a firm

worthy of praise, not only in the execution of his hand, and we may expect to hear more of him in

work, but also in the mosaic setting, where the the future. Altogether enough proof has been

blending of the colours and the design are both given to show that the pupils in the Imperial

very beautiful. Bruno Emmel has a fine and Schools are working in the right direction, and

delicate feeling and touch for ceramics, both in are seeking ways for themselves of expressing

designing and modelling them. Two of his vases their thoughts. A. S. L.
have been bought by the Cultus Ministerium

for the Modern Gallery. These are of rich p~X UCHAREST. —There has lately been

colouring and form, one being all shades of browns I £ formed in Bucharest an association call-

with touches of bronze, while a delicate film of 1 ing itself "Artistic Youth," under the

green winds its way in and out, thus intensi- * royal patronage of the Princess Marie of

fying the ground tones ; and the other blue on Roumania, herself an artist. The infant society at

blue, with lines of old silver. Fraulein Antoinette once was able to organise an exhibition, which gives

Krasnik, a young Croatian, conceived the idea of me here the opportunity of very briefly introducing

a harmony in black and white for her interior, the youthful Roumanian School to a wider public.

which she arranged herself, the effect being par- It consists of a small but very promising body of

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