Studio: international art (31.1904)

Studio-Talk

accurately reproduce the
falling of the evening light
across theilluminated backs
of the sheep; while original
and full of expression is the
seascape in cobalt by Jaime
Morera.

In short, a decided
tendency on the part of the
younger generation to
emancipate from northern
influence, and as for the
masters, a love of colour
studies and combinations
rather than of powerful
creation were observable.

The plastic arts were
poorly represented, as un-
luckily has always been the
case in the country if we
compare the pictorial
monuments with those of
sculpture. Neither Querol's

transportable house designed and executed by schonthaler r

(See Vienna Studio-Talk) bust of Helen—a heavy

drawn and richly though uniformly
coloured portrait, reminding one of an
old Dutch miniature. Moreno Car-
bonero's dainty genre picture is quite
in his best style. A brilliant white
house, red tiles and intensely blue sky;
a balcony overgrown with honeysuckle,
throwing delicate violet shades. The
whole a bouquet of flashing colours.

Juan Benlliure was represented by
a full-size portrait of a woman in
lemon-coloured robes, standing out
arrogantly against a background of
dark brown. Bilbao, the most im-
pressionist of all the more known
artists, showed us a lady at her
toilette table. Cecilia Pla's study of
a Young Wo?nan tying her shoe,
reminds one, as far as drawing and
facile expression are concerned, of
C. D. Gibson's American Girl. Iborra

is very good in his tiny Sheep Pen, "villa designed by bernhard wenig. executed by the

mucki" dresdener werkstaetten fur handwerskunst
where he has sought to express and (See Dresden Studio-Talk)

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