DOI Heft:
No. 134 (May, 1904)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19881#0375
Studio- Talk
a corner of the madrid exhibition
German-looking maid
rather than a Greek beauty
—nor Benlliure's fantas-
tic little bronze in
honour of Castelar, came
up to either of the sculp-
tors' best work. Blay, on
the contrary, had a very
natural and taking bust,
entitled Ondine—the
portrait of a Spanish girl
with mischievously smiling
eyes. Neither must En-
rique Marid's Child-
Learning to Walk be for-
gotten, a plaster study of
diminutive size, proving
the artist's talent for close
observation.
Engravings and etchings
usually take an inferior part
in almost all Spanish exhibi-
tions. But not so this year,
where Maura's works were
highly admired. How one
wishes this artist would
devote himself to modern,
.... i t0ys designed by eugen kirchner
original tnemes, ana not i executed by the dresdener werkstaetten
only to the barren copying (See Dresden Studio-Talk) fur handwerkskunst
355
a corner of the madrid exhibition
German-looking maid
rather than a Greek beauty
—nor Benlliure's fantas-
tic little bronze in
honour of Castelar, came
up to either of the sculp-
tors' best work. Blay, on
the contrary, had a very
natural and taking bust,
entitled Ondine—the
portrait of a Spanish girl
with mischievously smiling
eyes. Neither must En-
rique Marid's Child-
Learning to Walk be for-
gotten, a plaster study of
diminutive size, proving
the artist's talent for close
observation.
Engravings and etchings
usually take an inferior part
in almost all Spanish exhibi-
tions. But not so this year,
where Maura's works were
highly admired. How one
wishes this artist would
devote himself to modern,
.... i t0ys designed by eugen kirchner
original tnemes, ana not i executed by the dresdener werkstaetten
only to the barren copying (See Dresden Studio-Talk) fur handwerkskunst
355