Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Metadaten

Studio: international art — 31.1904

DOI Heft:
No. 134 (May, 1904)
DOI Artikel:
Studio-talk
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.19881#0376

DWork-Logo
Überblick
Faksimile
0.5
1 cm
facsimile
Vollansicht
OCR-Volltext
Studio-Talk

the end of the exhibition.
A beautiful, fresh face, sur-
rounded by poppies, the-
whole forminga harmonious-
composition of decided
merit, especially in the
management of the hair.

' • '.ML And I end up these notes*

U' JS. ' ^ |il YWEk " with the remark that Sorolla,

A ^Hjjfjj?1^HMyl Spain's greatest painter

^WKHHP^^^KH^ ^^■^ SHHBh'' (though Spain chooses to

ignore it), did not exhibit
anything; since his Sad

"a village idyll" designed by eugen kirchner Inheritance crossed to

executed by the dresdener werkstaetten . • , , ,

(See Dresden Studio-Talk) fur handwerkskunst America ne nas Deen

very little seen or heard
of here. It is a pity,,

of classic pictures ! He has decided talent, but he but it is the country's fault. C. H.

seems to ignore it. Gisbert exhibited a Beggat

Woman of uncommon naturalness—and laziness; *v USSELDORF.— The International

Campuzano's Scenes from the Bay of Biscay, a little \ Society of Sculptors, Painters, and

volume of etchings, are full of life and reality, m Gravers has been asked to arrange

though at- times the lines appear hard. * the British Section in the forthcoming

-- exhibition of Fine Arts at Diisseldorf. Mr. Neven

I had almost forgotten to mention M. Pena's large du Mont, who is acting as delegate, has succeeded
Portrait of a Woman, which was shown towards in getting together a most representative collection
 
Annotationen