Ars: časopis Ústavu Dejín Umenia Slovenskej Akadémie Vied (44.2011)

7. CZAV ízzz7 tPř Hzzř/zzcrAczAzt, H^z/7yAzzt/zzg A Ac tAzznz/zzT' cf Ai
PV^zzzz7AízzrtcA'zzzzr A Rcwc, rcczzz 77, 7^ tczzAry. Repre.* DECKERA
- AEELÍGER — AÎ7ETÆE 7777 (A<? /zz zzVe 27J-

5.24b-34 recourus how Jesus, on his way to Jairus'
house, feit power pass out of Him when the Haemor-
rhoissa, a woman who had been suffering from
haemorrhage for twelve years, touched his cloak and
was at once cured:

"AH4 ^ /krg<? HF/^ ^4 yf&tfíF F/^ orz
HF^. Aio^ FP<?n? <% z^<9/^z?/z zzzpo PázF Pi'i'zz
/orF^/^jzMrr. iA? i'/zzézrg'F
/?Myy yAyrFrF^zzy rz/zF Pez4 jpř/zF ez/7 FPezF ypř Fzezd,* ^^4 G<?
zz<? P^FF^y PzzF r^Fp^r^r^ z^orr^. JP^ PezP P^rP ezPozzF
y^r/zy z?zzP r^<? yp P<?PF%A HF/z? Fzz Fp^ rro^<2 áwd Fo/zcP^d
PFr rPzezC, yor j*P<? r<%FP, *y 7 PzzF FozzrP PFr r/oFp^y 7 ^77
P<? ^F/i Pw^řePhFí'/)/ P^r P^OTMffPágř t/oppřP,* ez/zP
tPř yf/F F% Pí*r Popy Fp/zF íPř zzvzr P^ezPP <?/ P^r PFr^zzri?.
HzzzwPPzFA)/ FpezFp<92t'gr PezP pw?i? /čr/PyPow 77i^
y^rz/r F/znwP /zPozzF Frz FP^ rrozzzp zz/zP rezFP 4HPo FozzrPřP
z^yy cPFP<?j*T /( . . / Fpř ^čwzzy, /PzzozzzFyy zzzpezFPezP Py/zp^zz^P
F<9 Přg n%zw Fzz /Mf ezzzP Fr<?wPP*zzy, yW/ Pzzzz^zz Pp/Prř HzAz,
ezzzP Fo/P HzPz FP^ zzzpop Frz/Fp. T7<? rezFP Fz? Pč*y 'DezzzgpFřy
jyozzryPzFP Pe?r zzzezPřjyozz zzz^P)* yy Fzz /zzzP Př P<?/zPP op
yzzzzr PFtMtřh"
A fresco in the catacomb of Peter and Marcek
linus, dating from the 3*^ Century, is one of the oidest
représentations of the story [Fig. 1] A Already in the
earliest représentations, based on the brief descrip-
tion in the Gospels of the Haemorrhoissa "coming
up behind Him" and Jesus "turning about", the
iconography of the Haemorrhoissa was rooted in
a speciňc convention: the woman creeps or crawls
behind Christ; He turns and blesses her. In the
fresco, the event is frozen in the mtimacy between
the two main figures; neither Jairus and the crowd,
nor the apostles are represented. The woman kneels
behind Christ and reaches out longingly to Him with

In:ywrzM//cr Ae Az7z7y cp /ANe/r TeV/z/zzezz/, 26, 2003, No. 2, pp.
171-192; HORSLEY, R. A.: RD^z/g /A IEAP iAry. TA Pc/FÁr
A HAA AízzrPi G9y)4 Louisville 2001; LEMARQUAND,
G.: Hzz Irrzze A RjAzvwn?. ví G/yp<zfďtzA htz/A A ^ PAry A
BPAzpg HY/Wď/z pWP i.'23"-3^,' M/ A20-Z2,' R4 FA4 J FVoYP
Cc^x'/r New York 2004; LEVINE, A.-J.:
Discharging Responsibility. Matthean Jesus, Biblical Law and
Hemorrhaging Woman. In: BAUER, D. R. - POWELL, M.
A. (eds.) : EfMJwn? Nw <z/z4 0/7. Rřfg/z7 GwAAtzAM AÍ<z#pM7z
AzzPzA. Atlanta 1996, pp. 379-397; MARCUS, J.: ÆA 7-&
H iVř^ 7A/ztAtA/z %AP A/ro7^ty<?/? ^7 G^/ř^7<?ry. New York
2000; OPPEL, D.: řr^7A?% — gr^7pp%7PAP/z. DP7J7Ayg
7řr ^7 77 Uw^íTÁz/^ 7řr AA%Yí?tPtřr A AÍ4 7.27-
77 zzA B<2yA/ ^z7rPA7AřrEty7PAA^P77 (=Bonner bibRsche
Beiträge, 12). Wemheim 1995; SELVIDGE, M. J.:
CA7 ^^7 Aízfzzt/i? R^zAz/ M R?7ďA7/zzz/ CEáAZ c/z
AGP 7.27-77. London 1990; SELVIDGE, M. J.: Mark 5:25-34
and Leviticus. A Reaction to Restrictive Purity Régulations.
In: Jc/zr/zA A BAPA/EzAzvtzzrc, 104,1984, No. 4, pp. 619-623;
STRUTHERS MALBON, E.: Narrative criticism. How does

the story mean? In: ANDERSON, J. C. - MOORE, S. D.
(eds.): ADA zz/z7 AfvA2 Aczz-' A BA3D/ TATAr.
Vhnneapolis 1992, pp. 37-29; TRÜMMER, P: D7 BA7zz7c
EAzz. lT7//2?fA/'A/zy zA Nczzczz Arztz/zz^zzt. Freiburg i. B. 1991,
pp. 15-21.
*' For a hrst íconographtcal analysis of the motif, with bibli-
ography, see BAERT, B.: Who touched me and my clothes?'
The Healing of the Woman with the Haemorrhage (Mark
5:24b-34parr) in Early Medieval Visual Culture. In: HzzzzzzA
T tPcHzz^zp RgyAAfzzrczz/zzPOOP, 2011, pp. 11-51; BAERT,
B.: Who touched my clothes?' The Healing of the Woman
with the Hemorrhage (Mark 5.24b-34parr) in Médiéval Visual
Culture. In: RczziA/Vcn'A A/rPy/Z, 79, 2010, No. 2, pp. 65-90;
BAERT, B.: Chi ha toccato i miei vestiti? La guarigione della
donna con l'emorragia (Marco 5:24b-34par) fra testo, immagi-
ne e tabù nella cultura visiva del primo medioevo. In: ÍPczz, 3,
2010, pp. 393-412; KÜSTERS, L.: Who is She? The Identity
of the Flemorrhaging Woman and Her Wirkungsgeschichte.
In:Mzz/zzzA<y A^HzzzAczy) RcyAAfzzrczz/zz2002,2011, pp. 99-133.

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