DOI chapter:
Essays
DOI chapter:Ning, Yao: Propagating the Confucian Virtues: Chinese Artists in Serialized Printed Portrait Books
DOI Page / Citation link:https://doi.org/10.11588/diglit.70035#0041
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Yao Ning
Joseph Needham and Tsuen-Hsuin Tsien: Science and Civilisation in China. Volume 5:
Chemistry and Chemical Technology. Part I: Paper and Printing, Cambridge 1985, p. 165.
Ning Yao: Reshaping Portraiture: The Emergence of Chinese Literati Portraiture, in: Klaas
Ruitenbeek (ed.): Faces of China. Portrait Painting of the Ming and Qing Dynasties (1368-
1912), Berlin 2017 (exhib. cat.), pp. 35-46, here p. 36.
Ibid., p. 37.
Berthold Läufer: The Development of Ancestral Images in China, in: Hartmut Walravens
(Hg.): Kleinere Schriften von Berthold Läufer. Teil 2: Publikationen aus der Zeit von 1911-
1925, Wiesbaden 1979, pp. 527-539, here p. 533.
Ladislav Kesner: Eternal Faces: Memory, Likeness and Identity in Ancestral Portraits, in:
Michaela Pejcochovä (ed.): Glimpse from and into Another World: Chinese Ancestor
Portraits from the Collection of the National Gallery in Prague, Prague 2015 (exhib. cat.),
pp. 143-162, here p. 153.
The Family Rituals was probably written by Zhu Xi; however, it appeared sixteen years
after Zhu’s death. It was frequently reprinted in Ming-Qing China as well as in Japan and
Korea. It served as the principal authority in the late-imperial China for the correct
performance of the 'four rituals’ including funerals and ancestor worship. See Timothy
Brook: Funerary Ritual and the Building of Lineages in Late Imperial China, in: Harvard
Journal of Asiatic Studies 49 (1989), No. 2, pp. 465-499, here p. 473f. For more about death
rituals, see: James L. Watson and Evelyn S. Rawski (eds.): Death Ritual in Late Imperial and
Modern China, Berkeley/Los Angeles/London 1988.
Cynthia Brokaw: Book History in Premodern China: The State of the Discipline I, in: Book
History 10 (2007), pp. 253-290, here p. 253.
Needham and Tsien 1985 (see fn. 1), p. 151.
Lucille Chia and Hilde De Weerdt: Introduction, in: Idem (eds.): Knowledge and Text
Production in an Age of Print: China, 900-1400, Leiden/Boston 2011, pp. 1-29, here p 3.
Brokaw 2007 (see fn. 7), p. 259.
Needham and Tsien 1985 (see fn. 1), p. 255; Zhenduo Zheng Zhongguo gudai
mukehua shilue (A Brief History of Chinese Traditional Woodblock
Print), Shanghai 2006, pp. 7-10; Xiaoman Xu and Fukang Wang^E. Zhongguo
gudai chatushi tj3 (A History of Chinese Traditional Illustrations), Shanghai
2007, p. 333.
Ke Wang T : Yuankan Shilin guangji chatu kaolun %fi| # K (Research
on the Illustrations of Shilin guangji in the Yuan), in: Gudian wenxian yanjiu (Journal of the
Institute for Chinese Classics Studies, Nanjing University) 18 (2015), No. 1, pp. 1-14, here
p. 11.
J. P. Park: Art by the Book. Painting Manuals and the Leisure Life in Late Ming China,
Seattle/London 2012, p. 7.
Timothy Brook: Communications and Commerce, in: Denis Twitchett and Frederick W.
Mote (eds): The Cambridge History of China. Volume 8: The Ming Dynasty, 1368-1644.
Part 2, Cambridge 2008, pp. 579-707, here p. 637.
Ibid.
Tobie Meyer-Fong: The Printed World: Books, Publishing Culture, and Society in Late
Imperial China, in: The Journal of Asian Studies 66 (2007), No. 3, pp. 787-817, here p. 787.
Brook 2008 (see fn. 14), p. 666.
Seunghyun Han: Re-inventing Local Tradition: Politics, Culture, and Identity in Early 19th
Century Suzhou. PhD thesis, UMI, Harvard University 2005, p. 158.
Translated by William Acker, in: Zaixin Hong: James Cahill and the Study of Chinese Painting,
in: Journal of Art Historiography (2014), No. 10, pp. 1-12, here p. 2.
Needham and Tsien 1985 (see fn. 1), p. 383.
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34
Yao Ning
Joseph Needham and Tsuen-Hsuin Tsien: Science and Civilisation in China. Volume 5:
Chemistry and Chemical Technology. Part I: Paper and Printing, Cambridge 1985, p. 165.
Ning Yao: Reshaping Portraiture: The Emergence of Chinese Literati Portraiture, in: Klaas
Ruitenbeek (ed.): Faces of China. Portrait Painting of the Ming and Qing Dynasties (1368-
1912), Berlin 2017 (exhib. cat.), pp. 35-46, here p. 36.
Ibid., p. 37.
Berthold Läufer: The Development of Ancestral Images in China, in: Hartmut Walravens
(Hg.): Kleinere Schriften von Berthold Läufer. Teil 2: Publikationen aus der Zeit von 1911-
1925, Wiesbaden 1979, pp. 527-539, here p. 533.
Ladislav Kesner: Eternal Faces: Memory, Likeness and Identity in Ancestral Portraits, in:
Michaela Pejcochovä (ed.): Glimpse from and into Another World: Chinese Ancestor
Portraits from the Collection of the National Gallery in Prague, Prague 2015 (exhib. cat.),
pp. 143-162, here p. 153.
The Family Rituals was probably written by Zhu Xi; however, it appeared sixteen years
after Zhu’s death. It was frequently reprinted in Ming-Qing China as well as in Japan and
Korea. It served as the principal authority in the late-imperial China for the correct
performance of the 'four rituals’ including funerals and ancestor worship. See Timothy
Brook: Funerary Ritual and the Building of Lineages in Late Imperial China, in: Harvard
Journal of Asiatic Studies 49 (1989), No. 2, pp. 465-499, here p. 473f. For more about death
rituals, see: James L. Watson and Evelyn S. Rawski (eds.): Death Ritual in Late Imperial and
Modern China, Berkeley/Los Angeles/London 1988.
Cynthia Brokaw: Book History in Premodern China: The State of the Discipline I, in: Book
History 10 (2007), pp. 253-290, here p. 253.
Needham and Tsien 1985 (see fn. 1), p. 151.
Lucille Chia and Hilde De Weerdt: Introduction, in: Idem (eds.): Knowledge and Text
Production in an Age of Print: China, 900-1400, Leiden/Boston 2011, pp. 1-29, here p 3.
Brokaw 2007 (see fn. 7), p. 259.
Needham and Tsien 1985 (see fn. 1), p. 255; Zhenduo Zheng Zhongguo gudai
mukehua shilue (A Brief History of Chinese Traditional Woodblock
Print), Shanghai 2006, pp. 7-10; Xiaoman Xu and Fukang Wang^E. Zhongguo
gudai chatushi tj3 (A History of Chinese Traditional Illustrations), Shanghai
2007, p. 333.
Ke Wang T : Yuankan Shilin guangji chatu kaolun %fi| # K (Research
on the Illustrations of Shilin guangji in the Yuan), in: Gudian wenxian yanjiu (Journal of the
Institute for Chinese Classics Studies, Nanjing University) 18 (2015), No. 1, pp. 1-14, here
p. 11.
J. P. Park: Art by the Book. Painting Manuals and the Leisure Life in Late Ming China,
Seattle/London 2012, p. 7.
Timothy Brook: Communications and Commerce, in: Denis Twitchett and Frederick W.
Mote (eds): The Cambridge History of China. Volume 8: The Ming Dynasty, 1368-1644.
Part 2, Cambridge 2008, pp. 579-707, here p. 637.
Ibid.
Tobie Meyer-Fong: The Printed World: Books, Publishing Culture, and Society in Late
Imperial China, in: The Journal of Asian Studies 66 (2007), No. 3, pp. 787-817, here p. 787.
Brook 2008 (see fn. 14), p. 666.
Seunghyun Han: Re-inventing Local Tradition: Politics, Culture, and Identity in Early 19th
Century Suzhou. PhD thesis, UMI, Harvard University 2005, p. 158.
Translated by William Acker, in: Zaixin Hong: James Cahill and the Study of Chinese Painting,
in: Journal of Art Historiography (2014), No. 10, pp. 1-12, here p. 2.
Needham and Tsien 1985 (see fn. 1), p. 383.