DOI issue:
No. 64 (July, 1898)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.21969#0147
Studio-Talk
DOOR-PLATE BY J. E. C. CARR
an effect that might be utilised
still more successfully by means
of enamels on metal.
M. Eugene Carriere, whom
The Studio had the pleasure of
introducing to the English public
about eighteen months ago, has
by j. e. c. carr been exhibiting a number of his
paintings, grisailles and litho-
graphs at the Continental Gallery,
New Bond Street. The collection included the celebrated
Theatre de Melleville; the Christ of last year’s Salon, bought
by a group of amateurs for the Luxembourg; La Prilre, a
work of great beauty; portraits of Verlaine, Edmond de
Goncourt (the only existing portrait of the French writer),
Rochefort and Alphonse Daudet. There were also numerous
studies of women and some Swiss landscapes that are particu-
larly interesting in their striking conceptions, which stamp
M. Carriere as a thinker and poet, as well as a great artist.
rsite, if but to atone for the many bad statues, royal and civilian,
which disfigure so many English towns.
We are indebted to the Earl of Buckinghamshire for permission
■to illustrate a panel from a coloured marble tablet erected in
•Great Hampden church to the memory of John Hampden, the
patriot. The panel, which represents a genealogical tree with
brilliantly coloured coats of arms, seems to convey a suggestion
■eminently worthy of consideration
by designers of memorial tablets in
■metal-work and enamels. As many
■visitors will no doubt take an oppor-
tunity of inspecting the old church
■on the occasion of the bazaar to be
held in the grounds of Hampden
House at the end of the present
■month in aid of the restoration fund,
those interested in such matters
should not fail to note the effect
obtained by the coloured shields—
HANGING LAMP
124
BY J. E. C. CARR
DOOR-PLATE BY J. E. C. CARR
an effect that might be utilised
still more successfully by means
of enamels on metal.
M. Eugene Carriere, whom
The Studio had the pleasure of
introducing to the English public
about eighteen months ago, has
by j. e. c. carr been exhibiting a number of his
paintings, grisailles and litho-
graphs at the Continental Gallery,
New Bond Street. The collection included the celebrated
Theatre de Melleville; the Christ of last year’s Salon, bought
by a group of amateurs for the Luxembourg; La Prilre, a
work of great beauty; portraits of Verlaine, Edmond de
Goncourt (the only existing portrait of the French writer),
Rochefort and Alphonse Daudet. There were also numerous
studies of women and some Swiss landscapes that are particu-
larly interesting in their striking conceptions, which stamp
M. Carriere as a thinker and poet, as well as a great artist.
rsite, if but to atone for the many bad statues, royal and civilian,
which disfigure so many English towns.
We are indebted to the Earl of Buckinghamshire for permission
■to illustrate a panel from a coloured marble tablet erected in
•Great Hampden church to the memory of John Hampden, the
patriot. The panel, which represents a genealogical tree with
brilliantly coloured coats of arms, seems to convey a suggestion
■eminently worthy of consideration
by designers of memorial tablets in
■metal-work and enamels. As many
■visitors will no doubt take an oppor-
tunity of inspecting the old church
■on the occasion of the bazaar to be
held in the grounds of Hampden
House at the end of the present
■month in aid of the restoration fund,
those interested in such matters
should not fail to note the effect
obtained by the coloured shields—
HANGING LAMP
124
BY J. E. C. CARR