DOI Heft:
No. 66 (September, 1898)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.21969#0326
Studio- Talk
picture post-card, including
H. Cassiers, G. Combaz,
and H. Meunier, in Bel-
gium. Perhaps the best
produced in Germany so
far are those published by
Velten in Karlsruhe, some
drawn by B. Schuh, of
Dresden, and a set by
Prof. F. A. Kaulbach, of
Munich.
MCTURE POST-CARD
A short time ago the
Saxon Government opened
a competition for designs
of picture post-cards, and
twenty-four of those that
have secured prizes have
been published. The two
which we reproduce—Meissen by O. Zwintscher,
and Schloss Hartenstein by Weingartner—were
among the best.
BY OSCAR ZWINTSCHER
take this large task immediately upon his return.
It will, of course, occupy him all the summer.
Bantzeris engaged upon making open-air studies
at Dittersbach, where he is attended by the pick of
his class at the Academy, who work under his
direction. W. Ritter, the landscape painter, and
A. Stremel, who has returned to us after a long
sojourn in Belgium, are also spending the summer
season out there. H. Unger is painting the curtain
for the new Central Theatre, which is to be opened
next October. Last spring he spent four months
in study at Paris, and was commissioned to under-
Otto Fischer has laid the brush, the needle, and
crayon aside, and taken to burin engraving—unfor-
tunately, I think, for the modern method of en-
graving, introduced by Gaillard and Stauffer, prac-
tised by Klinger, is a dangerous thing, and leads in
the end to as poor a style (that of over-finish) as
the old engraving of the R. Morghen school did.
Fischer has completed an indifferent head, a land-
scape which distinctly recalls Klinger’s “An die
Schonheit,” and is now at work on a large plate—
landscape with a nude figure—which promises fairly.
G. Miiller-Breslau has
been busy designing
stained-glass windows for
churches in the vicinity of
Leipsic and Dresden all
the summer, so he has put
aside his splendid land-
scape work for a time.
Besig spent the spring and
early summer in the Ries-
engebirge, from which he
has just returned, bringing
with him many delightful
landscape studies. Pietsch-
mann is putting the finish-
ing-touches to a fine picture
of a nude figure standing
picture post-card, including
H. Cassiers, G. Combaz,
and H. Meunier, in Bel-
gium. Perhaps the best
produced in Germany so
far are those published by
Velten in Karlsruhe, some
drawn by B. Schuh, of
Dresden, and a set by
Prof. F. A. Kaulbach, of
Munich.
MCTURE POST-CARD
A short time ago the
Saxon Government opened
a competition for designs
of picture post-cards, and
twenty-four of those that
have secured prizes have
been published. The two
which we reproduce—Meissen by O. Zwintscher,
and Schloss Hartenstein by Weingartner—were
among the best.
BY OSCAR ZWINTSCHER
take this large task immediately upon his return.
It will, of course, occupy him all the summer.
Bantzeris engaged upon making open-air studies
at Dittersbach, where he is attended by the pick of
his class at the Academy, who work under his
direction. W. Ritter, the landscape painter, and
A. Stremel, who has returned to us after a long
sojourn in Belgium, are also spending the summer
season out there. H. Unger is painting the curtain
for the new Central Theatre, which is to be opened
next October. Last spring he spent four months
in study at Paris, and was commissioned to under-
Otto Fischer has laid the brush, the needle, and
crayon aside, and taken to burin engraving—unfor-
tunately, I think, for the modern method of en-
graving, introduced by Gaillard and Stauffer, prac-
tised by Klinger, is a dangerous thing, and leads in
the end to as poor a style (that of over-finish) as
the old engraving of the R. Morghen school did.
Fischer has completed an indifferent head, a land-
scape which distinctly recalls Klinger’s “An die
Schonheit,” and is now at work on a large plate—
landscape with a nude figure—which promises fairly.
G. Miiller-Breslau has
been busy designing
stained-glass windows for
churches in the vicinity of
Leipsic and Dresden all
the summer, so he has put
aside his splendid land-
scape work for a time.
Besig spent the spring and
early summer in the Ries-
engebirge, from which he
has just returned, bringing
with him many delightful
landscape studies. Pietsch-
mann is putting the finish-
ing-touches to a fine picture
of a nude figure standing