Studio: international art (19.1900)

Studio- Talk

M. Constantin Meunier
was one of those invited
to exhibit by the Society
this year. He sent his
Ceres and his Melancolie,
works displaying to the
full the great gifts of the
celebrated Belgian sculptor,
with his lofty, dominating
types, and his somewhat
wild and cruel conception
of the Beautiful.

G. M.

B

RUSSELS.—The
series of winter
tSaloiinc/s at the
Cercle Artistique

••«. x ™„. ™»~~ .v |~*£5fi2L

artists, H. Huklenbrok and

bers of the Society are concerncd the most notable the late H. EvenepoeL Both received their art
^ingS displayed were several beautiful landscapes training m Pans m the studio
by M. Albert Gosselin and Mr. Douglas Robinson; where they would appear to
others, also of great charm, by MM. Lorimer (who beyond the cultivate of rare tones and dd.cacy
also sent some flower pieces), Alex-
andre Harrisson and Humphreys-John-
ston, with two characteristic canvases
by Mi. ( has. W. Bartlett, whose original
talent is 110t unknown to readers
of The Studio, and a series of Nor-
wegian landscapes from the brush of
M- J. Grimelund, who once more gave
proof of his great sincerity and of his
keen devotion to his native soil.

As honorary members of the Society,
MM. A. Besnard and Whistler were
among the exhibitors. The first-named
was represented by two portraits —
Portrait d'en/ant and Portrait de Mile.

c......—and a landscape, called

Matin, with the audacity of touch and
the something of incoherence to which
M. Besnard has for some time past ac-
customed us. Whistler sent five of his
"harmonies," masterly things, all marked
by the most exquisite fancy. His Bleu
Or, La Plage, Or et Pose, and Le
Bakon have all the freshness, all the 3* ~£^p6^^f^J^.j

magical force that made the painter of ■ ' ' -

Carlyle world-famous years ago. „, E VIEUX L0GIS» by rene janssens

(See Brussels Studio- Talk)

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