DOI Heft:
Nr. 120 (March 1903)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19878#0154
Studio- Talk
"the port : boulogne-sur-mer" from an etching by d. s. maclaughlan
I spoke recently of H. Caro-Delvaille and of with faithful accuracy in her characteristic attitudes,
an exhibition of his works. When reproducing in her favourite occupations and amusements,
some of his more important works it may be well among the trifles in her boudoir or the cheerful
to say more of the talent of one of the most original brightness of her bedroom, her figure relieved
among the men who exhibit with the Society of against the dark clumps of the Bois de Boulogne, or
French Artists. In their Salon, 1901, this young seated in the stern of a yacht flying before the
painter, then but just five-
and-twenty, exhibited
|^^ll||^^HHHHBSHHIBHi^SH9HBBBEHiiHI^HHHIH
two pictures which mack' a iitiliri1lfijSl(iv
sensation by the delicate Btesinl
apprehension of the modern
woman, combined with
firm drawing and a remark-
able sense of composition.
These two pictures, in
which the artist showed Hfc mttk.
how keen is his power as BbhLJ^K
a psychologist and an ob-
server, were a real delight f§#^ : J|
to the eye and mind ^mmJm
among the numberless ^ygfl
overloaded portraits, false
alike in conception and
execution; and all the
more satisfactory because
painters who really under,
stand the woman of to-day
are rare indeed. In his
latest pictures he shares
with Helleu the merit of
having recorded a truth-
ful presentment of the ^-----
Pansienne, painting her << la femme aux estampes" by h. caro-delvaille
142
"the port : boulogne-sur-mer" from an etching by d. s. maclaughlan
I spoke recently of H. Caro-Delvaille and of with faithful accuracy in her characteristic attitudes,
an exhibition of his works. When reproducing in her favourite occupations and amusements,
some of his more important works it may be well among the trifles in her boudoir or the cheerful
to say more of the talent of one of the most original brightness of her bedroom, her figure relieved
among the men who exhibit with the Society of against the dark clumps of the Bois de Boulogne, or
French Artists. In their Salon, 1901, this young seated in the stern of a yacht flying before the
painter, then but just five-
and-twenty, exhibited
|^^ll||^^HHHHBSHHIBHi^SH9HBBBEHiiHI^HHHIH
two pictures which mack' a iitiliri1lfijSl(iv
sensation by the delicate Btesinl
apprehension of the modern
woman, combined with
firm drawing and a remark-
able sense of composition.
These two pictures, in
which the artist showed Hfc mttk.
how keen is his power as BbhLJ^K
a psychologist and an ob-
server, were a real delight f§#^ : J|
to the eye and mind ^mmJm
among the numberless ^ygfl
overloaded portraits, false
alike in conception and
execution; and all the
more satisfactory because
painters who really under,
stand the woman of to-day
are rare indeed. In his
latest pictures he shares
with Helleu the merit of
having recorded a truth-
ful presentment of the ^-----
Pansienne, painting her << la femme aux estampes" by h. caro-delvaille
142