DOI Heft:
No. 259 (October 1914)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.21211#0062
Studio- Talk
general scheme of this
I panel was planned by Miss
_i i Kay as "dull golds to
browns, greens from gold
B*r&&&} -^■^^Sm^.-^1^^^^ • l" emerald merginS into
^■■■i jrt^^'MiRW ~• !i £ Hflfr.V touches of peacock-blue,
jifr* *l;"^^T?fc ',' | ■' I and tnrougn amethyst-blue
f if * JlBWn^^Ijj I * jf * to touches of rich purples,
f»1ttrl^^*"^^i^:^'; " 5"! merging again into browns
^sS^m^S^L^ with perhaps a thought ot
dull madder or pome-
a&Sk1£ •'i^^!!.^1 -«_ granate." Miss Kay has
SBBj&SriflK&gr- , realised her scheme in
^ , ' f. V'"'?fWlfflft luscious, liquid colouring,
^ 'V^V ^ °^ romant'c feeling.
The tree, with its fruit and
birds, is suggestive of
"the rathaus quay, Zurich." from a pen-drawing by johnstone BAiRD Arthurian scenery. The
years ago on account of illness.
Mr. Baird received his training
as an artist at the Glasgow
School of Art under Mr. Fra
H. Newbury, the able director
of that renowned institution,
and he also studied under
Prof. Jean Delville at
Brussels. He has travelled
much in all parts of Europe,
and many Continental cities
have furnished him with
motives for his compositions
in the various mediums he
employs — pen-and-ink, etch-
ing, drypoint and water-
colour. Of late London has
claimed the chief share of his
attention, and his plate ot
Waterloo Bridge has been
selected as showing how ad-
mirably he has employed the
medium of etching to render a
view which has attracted in-
numerable artists.
The embroidered panel re-
produced on this page was
executed by Miss B. M. E.
Kay of Minehead, from a
design by Mr. J. E. Dixon-
Spain, architect. Miss Kay
is not only an expert em-
broideress but has a remark-
emisroidered panel. designed by j. e. dixon-spain, executed by
able gift for colour. The miss b. m. e. kay
57
general scheme of this
I panel was planned by Miss
_i i Kay as "dull golds to
browns, greens from gold
B*r&&&} -^■^^Sm^.-^1^^^^ • l" emerald merginS into
^■■■i jrt^^'MiRW ~• !i £ Hflfr.V touches of peacock-blue,
jifr* *l;"^^T?fc ',' | ■' I and tnrougn amethyst-blue
f if * JlBWn^^Ijj I * jf * to touches of rich purples,
f»1ttrl^^*"^^i^:^'; " 5"! merging again into browns
^sS^m^S^L^ with perhaps a thought ot
dull madder or pome-
a&Sk1£ •'i^^!!.^1 -«_ granate." Miss Kay has
SBBj&SriflK&gr- , realised her scheme in
^ , ' f. V'"'?fWlfflft luscious, liquid colouring,
^ 'V^V ^ °^ romant'c feeling.
The tree, with its fruit and
birds, is suggestive of
"the rathaus quay, Zurich." from a pen-drawing by johnstone BAiRD Arthurian scenery. The
years ago on account of illness.
Mr. Baird received his training
as an artist at the Glasgow
School of Art under Mr. Fra
H. Newbury, the able director
of that renowned institution,
and he also studied under
Prof. Jean Delville at
Brussels. He has travelled
much in all parts of Europe,
and many Continental cities
have furnished him with
motives for his compositions
in the various mediums he
employs — pen-and-ink, etch-
ing, drypoint and water-
colour. Of late London has
claimed the chief share of his
attention, and his plate ot
Waterloo Bridge has been
selected as showing how ad-
mirably he has employed the
medium of etching to render a
view which has attracted in-
numerable artists.
The embroidered panel re-
produced on this page was
executed by Miss B. M. E.
Kay of Minehead, from a
design by Mr. J. E. Dixon-
Spain, architect. Miss Kay
is not only an expert em-
broideress but has a remark-
emisroidered panel. designed by j. e. dixon-spain, executed by
able gift for colour. The miss b. m. e. kay
57