DOI Heft:
No. 261 (December 1914)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.21211#0222
Studio-Talk
tive picture of Miss Ashton. James A. Grant's as far as Hamburg in pursuit of his mission, and
The Pink Kimono is a strong and picturesque there abandoned it in favour of a speedy escape
design by a clever young painter. In landscape into Denmark, which he contrived with much diffi-
the works of Herbert Royle, Thomas Huson, D. C. culty to achieve, eventually making his devious
Jenkins, Hamilton Hay, J. Clinton Jones, W. journey home by way of Norway. T. N.
Alison Martin, E. M. Neatby, and C. O'Neill is
excellent. _ / ^ LASGOW.—In a recent number of this
m magazine, I drew attention to two or
There is not so much sculpture as usual, but it • "X three members of the younger genera-
is of good quality, notable among the best items ^»_^ tion of Glasgow artists who are doing
being Percy Portsmouth's bronze bust of D. Y. good work and are instrumental in upholding the
Cameron, Emil Fuchs's In Maiden Meditation best traditions of the city as a centre of art. Among
(marble), Youth, Time, and Immortality by Charles this group of artists, J. Hamilton Mackenzie,
Rutland, Paul R. Montford's bronze Startled, and A.R.S.A., holds a prominent place. Equally facile
a fountain by Alexander Fisher. in oil, water-colour, and pastel, he has shown a
- particular predilection for the dry medium. The
The customary " Continental" Room is only bright skies and the animated scenes of Southern
represented by a few strong canvases, the inten- Europe are fit subjects for chalk, and year by year
tion having been to have a representative collection the artist hies to the city of canals and lagoons, to
of German art. This had been arranged for by sketch its busy waterways, its picturesque gondolas,
correspondence, and the whole was in waiting at its striking architecture, all which is rendered in a
Berlin for inspection and revision by Mr. Dibdin, manner convincing. Of his work in the oil medium,
the date fixed being the fateful August 4 ! He got the work here reproduced, which was referred to in
"A SUMMER DAY"
RY T. HAMILTON MACKENZIE, A.R.S.A., ETC.
219
tive picture of Miss Ashton. James A. Grant's as far as Hamburg in pursuit of his mission, and
The Pink Kimono is a strong and picturesque there abandoned it in favour of a speedy escape
design by a clever young painter. In landscape into Denmark, which he contrived with much diffi-
the works of Herbert Royle, Thomas Huson, D. C. culty to achieve, eventually making his devious
Jenkins, Hamilton Hay, J. Clinton Jones, W. journey home by way of Norway. T. N.
Alison Martin, E. M. Neatby, and C. O'Neill is
excellent. _ / ^ LASGOW.—In a recent number of this
m magazine, I drew attention to two or
There is not so much sculpture as usual, but it • "X three members of the younger genera-
is of good quality, notable among the best items ^»_^ tion of Glasgow artists who are doing
being Percy Portsmouth's bronze bust of D. Y. good work and are instrumental in upholding the
Cameron, Emil Fuchs's In Maiden Meditation best traditions of the city as a centre of art. Among
(marble), Youth, Time, and Immortality by Charles this group of artists, J. Hamilton Mackenzie,
Rutland, Paul R. Montford's bronze Startled, and A.R.S.A., holds a prominent place. Equally facile
a fountain by Alexander Fisher. in oil, water-colour, and pastel, he has shown a
- particular predilection for the dry medium. The
The customary " Continental" Room is only bright skies and the animated scenes of Southern
represented by a few strong canvases, the inten- Europe are fit subjects for chalk, and year by year
tion having been to have a representative collection the artist hies to the city of canals and lagoons, to
of German art. This had been arranged for by sketch its busy waterways, its picturesque gondolas,
correspondence, and the whole was in waiting at its striking architecture, all which is rendered in a
Berlin for inspection and revision by Mr. Dibdin, manner convincing. Of his work in the oil medium,
the date fixed being the fateful August 4 ! He got the work here reproduced, which was referred to in
"A SUMMER DAY"
RY T. HAMILTON MACKENZIE, A.R.S.A., ETC.
219