DOI Artikel:
Kozieł, Andrzej: Michael Wilmann - i. e. David Heidenreich: the "Rudolphian" drawings by Michael Willmann
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.18946#0080
bearing a decidedly anti-Calvinist note (cat. no. 5v),~4 as well as an unusually,
almost gallantly sketched with pen illustration of a prayer about salvation after
death (cat. no. 14v) are to be found. Seen in this functional light, the formal
mode of drawing reveals itself as a type of technique of portraying the
24 For more on anti-Calvinist accents in Silesian Protestant art please refer to J. Harasimowicz,
Tresci i funkcje ideowe sztuki slqskiej Reformacji, Wroclaw 1986, pp. 169-170 as well as “Rola
sztuki w religijnych i spolecznych konfliktach wieku Reformacji na Slqsku”, Rocznik Historii
Sztuki, 18, 1990, pp. 41-44 by the same author.
10. D. Heidenreich,
Psyche's Sisters Carrying
Gifts Led by Zephir.
Illustration to theApuleus
of Madama Piece "Amor
and Psyche", Warsaw,
Muzeum Narodowe;
cat. no. 17r
(Phot. National
Museum in Warsaw)
78
almost gallantly sketched with pen illustration of a prayer about salvation after
death (cat. no. 14v) are to be found. Seen in this functional light, the formal
mode of drawing reveals itself as a type of technique of portraying the
24 For more on anti-Calvinist accents in Silesian Protestant art please refer to J. Harasimowicz,
Tresci i funkcje ideowe sztuki slqskiej Reformacji, Wroclaw 1986, pp. 169-170 as well as “Rola
sztuki w religijnych i spolecznych konfliktach wieku Reformacji na Slqsku”, Rocznik Historii
Sztuki, 18, 1990, pp. 41-44 by the same author.
10. D. Heidenreich,
Psyche's Sisters Carrying
Gifts Led by Zephir.
Illustration to theApuleus
of Madama Piece "Amor
and Psyche", Warsaw,
Muzeum Narodowe;
cat. no. 17r
(Phot. National
Museum in Warsaw)
78