Psalm 73 (cat. no. 3)2h in his sketchbook whereas the drawing featuring Christ
Child seems to offer a solution different than that of the sketch with the same
subject-matter (cat. no. llv).2 This allows us to assume that the remaining
signed pieces, created at different times, are indicative of the evolution of the
artistic concepts first portrayed in the artist’s sketchbook. Heidenreich’s
numerous sketches of individual figures as well as whole scenes, all organised
26 Ibid. nos. Ill, 278, 280.
27 Ibid. no. 281.
13. D. Heidenreich, Putto
Blowing a Horn, Weimar,
Kunstsammlungen zu
Weimar; cat. no. 18v
(Phot. Roland Dressier,
Weimar)
81
Child seems to offer a solution different than that of the sketch with the same
subject-matter (cat. no. llv).2 This allows us to assume that the remaining
signed pieces, created at different times, are indicative of the evolution of the
artistic concepts first portrayed in the artist’s sketchbook. Heidenreich’s
numerous sketches of individual figures as well as whole scenes, all organised
26 Ibid. nos. Ill, 278, 280.
27 Ibid. no. 281.
13. D. Heidenreich, Putto
Blowing a Horn, Weimar,
Kunstsammlungen zu
Weimar; cat. no. 18v
(Phot. Roland Dressier,
Weimar)
81