DOI Artikel:
Kozieł, Andrzej: Michael Wilmann - i. e. David Heidenreich: the "Rudolphian" drawings by Michael Willmann
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.18946#0085
15. D. Heidenreich,
Allegorical Scene, private
collection; cat. no. 20
(Phot, owner)
new work model for the artist based on detailed studies of nudes and
highly individualised composition) in the countries North of the Alps, the
predominating artistic tradition in the German-speaking area of Central
Europe at the beginning of the 17th century was still based on collecting graphic
and drawing “prototypes”. Evidence of this can be seen in the number of
drawing copies of the period which were first compiled in Abrißbücher2V as
29 Cf. H. Geissler, “Die Zeichnungen des Augsburger Bildhauers Caspar Meneller. Überlegungen
zum Kopierwesen in Deutschland um 1600”, Münchener Jahrbuch der bildenden Künste, XXXiy
1983, pp. 59-100.
83
Allegorical Scene, private
collection; cat. no. 20
(Phot, owner)
new work model for the artist based on detailed studies of nudes and
highly individualised composition) in the countries North of the Alps, the
predominating artistic tradition in the German-speaking area of Central
Europe at the beginning of the 17th century was still based on collecting graphic
and drawing “prototypes”. Evidence of this can be seen in the number of
drawing copies of the period which were first compiled in Abrißbücher2V as
29 Cf. H. Geissler, “Die Zeichnungen des Augsburger Bildhauers Caspar Meneller. Überlegungen
zum Kopierwesen in Deutschland um 1600”, Münchener Jahrbuch der bildenden Künste, XXXiy
1983, pp. 59-100.
83