DOI article:
Kozieł, Andrzej: Michael Wilmann - i. e. David Heidenreich: the "Rudolphian" drawings by Michael Willmann
DOI Page / Citation link: https://doi.org/10.11588/diglit.18946#0089
(Lugt, no. 1606); verso - above scene in brown ink: Honor et Veritas; Justici
et Pax; below scene in brown ink: Dieser ist ein rechter Crist / Der glaubt Das
Christus die Warheit ist / aber die godt straffen in seinen worden / Dis sein die
Calffenistische orden / Den Cristus spricht. Glaubt eben / ich bin die Warheit
und das Leben. / ...die Calffenistische gar sehr / Drum bleibt der Tuffei alzeit
ihr ben / Daran stost sich die flasche Rodt / Drum bleibt iber ihn der...tott.;
collection: Berlin, Staatliche Museen zu Berlin, Kupferstichkabinett (inv. no.
KdZ 7480); history: K. F. F. von Nagler collection; at the Kupferstichkabinett
since 1833; bibliography: Bock 1921, no. 7480; Kloss 1930, no. B. 126; Kloss
1934, no. B. 1. 13; Berlin 1966, no. 214 (H. Möhle), ill. 216; Sumowski 1992,
p. 5413; Lossow 1994, no. B. 10; Koziel 1995, pp. 137-138.
6. Man in Antique Attire Bending over; pen, brown ink, brown wash, white
guache; 188x144 mm; watermark and chain lines not visible; in bottom
left in brown ink: M. Willman; verso - in centre: Kupferstichkabmett seal,
Berlin (Lugt, no. 1606); collection: Berlin, Staatliche Museen zu Berlin,
Kupferstichkabmett, (inv. no. KdZ 7490), acquired before 1881; bibliography:
Bock 1921, no. 7490; Kloss 1930, no. B. 120; Kloss 1934, no. B. I. 7, ill. 135;
Geissler 1979/1980, no. O 27; Oszczanowski/Gromadzki 1995, p. 70.
7. Woman Singing and Playing Lute with Putto Standing Beside Her, Holding
the Sheet Music; pen, black ink, black chalk, grey wash; 179x142 mm;
watermark and chain lines not visible: in bottom left in black ink: M. Willman;
verso - m centre: Kupferstichkabmett seal, Berlin (Lugt, no. 1606); collection:
Berlin, Staatliche Museen zu Berlin, Kupferstichkabmett (inv. no. KdZ 7485),
acquired before 1881; bibliography: Bock 1921, no. 7485; Kloss 1934, p. 188.
8. The Allegory of Painting (ill. 6); pen, brown ink, Black chalk, brown wash;
188x140 mm; watermarks and chain lines not visible; in bottom left in black
ink: M. Willman; verso - in centre: Kupferstichkabinett seal, Berlin (Lugt, no.
1606); collection: Berlin, Staatliche Museen zu Berlin, Kupferstichkabmett
(inv. no. KdZ. 7486), acquired before 1881; bibliography: Bock 1921, no.
7486; Kloss 1934, p. 188.
9. Melancholy; verso: Bust of a Young Woman; pen, brown and black ink,
black chalk, grey wash; 188x145 mm; watermarks: fragment of coat of arms
of city Brzeg [Briquet, no. 960]; chain lines: horizontal, spaced every 27-30
mm; in bottom left in black ink: M. Willman; in top right in black ink: ...zu
einer Zeitt / gleick mich so freudt / ist es nicht mein fromen / so dar ff es nicht
körnen; collection: Berlin, Staatliche Museen zu Berlin, Kupferstichkabmett
(inv. no. KdZ 7483), acquired before 1921; bibliography: Bock 1921, no.
7483; Kloss 1930, no. B. 134; Kloss 1934, p. 188.
10. Allegorical Scene (Amor blowing a trumpet turned to his left. Behind him
three Elders, one of whom is wearing a crown and playing the harp); pen,
black ink, charcoal, grey wash; 187x143 mm; watermarks and chain lines not
visible; in bottom left in brown ink: M. Willman; in top right in black ink: 46;
verso - in centre: Kupferstichkabmett seal, Berlin (Lugt, no. 1606); collection:
87
et Pax; below scene in brown ink: Dieser ist ein rechter Crist / Der glaubt Das
Christus die Warheit ist / aber die godt straffen in seinen worden / Dis sein die
Calffenistische orden / Den Cristus spricht. Glaubt eben / ich bin die Warheit
und das Leben. / ...die Calffenistische gar sehr / Drum bleibt der Tuffei alzeit
ihr ben / Daran stost sich die flasche Rodt / Drum bleibt iber ihn der...tott.;
collection: Berlin, Staatliche Museen zu Berlin, Kupferstichkabinett (inv. no.
KdZ 7480); history: K. F. F. von Nagler collection; at the Kupferstichkabinett
since 1833; bibliography: Bock 1921, no. 7480; Kloss 1930, no. B. 126; Kloss
1934, no. B. 1. 13; Berlin 1966, no. 214 (H. Möhle), ill. 216; Sumowski 1992,
p. 5413; Lossow 1994, no. B. 10; Koziel 1995, pp. 137-138.
6. Man in Antique Attire Bending over; pen, brown ink, brown wash, white
guache; 188x144 mm; watermark and chain lines not visible; in bottom
left in brown ink: M. Willman; verso - in centre: Kupferstichkabmett seal,
Berlin (Lugt, no. 1606); collection: Berlin, Staatliche Museen zu Berlin,
Kupferstichkabmett, (inv. no. KdZ 7490), acquired before 1881; bibliography:
Bock 1921, no. 7490; Kloss 1930, no. B. 120; Kloss 1934, no. B. I. 7, ill. 135;
Geissler 1979/1980, no. O 27; Oszczanowski/Gromadzki 1995, p. 70.
7. Woman Singing and Playing Lute with Putto Standing Beside Her, Holding
the Sheet Music; pen, black ink, black chalk, grey wash; 179x142 mm;
watermark and chain lines not visible: in bottom left in black ink: M. Willman;
verso - m centre: Kupferstichkabmett seal, Berlin (Lugt, no. 1606); collection:
Berlin, Staatliche Museen zu Berlin, Kupferstichkabmett (inv. no. KdZ 7485),
acquired before 1881; bibliography: Bock 1921, no. 7485; Kloss 1934, p. 188.
8. The Allegory of Painting (ill. 6); pen, brown ink, Black chalk, brown wash;
188x140 mm; watermarks and chain lines not visible; in bottom left in black
ink: M. Willman; verso - in centre: Kupferstichkabinett seal, Berlin (Lugt, no.
1606); collection: Berlin, Staatliche Museen zu Berlin, Kupferstichkabmett
(inv. no. KdZ. 7486), acquired before 1881; bibliography: Bock 1921, no.
7486; Kloss 1934, p. 188.
9. Melancholy; verso: Bust of a Young Woman; pen, brown and black ink,
black chalk, grey wash; 188x145 mm; watermarks: fragment of coat of arms
of city Brzeg [Briquet, no. 960]; chain lines: horizontal, spaced every 27-30
mm; in bottom left in black ink: M. Willman; in top right in black ink: ...zu
einer Zeitt / gleick mich so freudt / ist es nicht mein fromen / so dar ff es nicht
körnen; collection: Berlin, Staatliche Museen zu Berlin, Kupferstichkabmett
(inv. no. KdZ 7483), acquired before 1921; bibliography: Bock 1921, no.
7483; Kloss 1930, no. B. 134; Kloss 1934, p. 188.
10. Allegorical Scene (Amor blowing a trumpet turned to his left. Behind him
three Elders, one of whom is wearing a crown and playing the harp); pen,
black ink, charcoal, grey wash; 187x143 mm; watermarks and chain lines not
visible; in bottom left in brown ink: M. Willman; in top right in black ink: 46;
verso - in centre: Kupferstichkabmett seal, Berlin (Lugt, no. 1606); collection:
87