DOI issue:
Chronicle 1996-1997
DOI Page / Citation link:https://doi.org/10.11588/diglit.18946#0127
Polish Painting, ca. 1900. The Polish Museum in Rapperswil, June 22 -
August 18, 1996
One of a series of exhibitions, following the exhibition of the paintings of Józef
Simmler (see Bulletin, XXXX 1995, no. 1-4, p. 64), organized jointly by the
National Museum in Warsaw, the Royal Castle in Warsaw, and the Polish
Museum in Rapperswil. On display were 88 paintings, watercolours, and
prints by Polish artists active at the turn of the last century, from representatives
of Polish Impressionism such as Józef Pankiewicz and Wladyslaw Podkowinski,
to the symbolist Witold Wojtkiewicz, mainly from the collections of the
National Museum in Warsaw. The exhibition and its Polish-German language
catalogue were prepared by Elzbieta Charazinska.
Autour de Bourdelle. Paris et les artistes polonaises, 1900-1918.
Paris, Musée Bourdelle, Oct. 22, 1996 - Jan. 1, 1997
(see above)
European Academicism in the 19th Century. Hokkaido Obihiro Museum of
Art, May 13 - June 15, 1997, Ashikaga Museum of Art, Aug. 9 - Sept. 28,
1997, Yawatahama Public City Gallery, Oct. 4 - Nov. 30, 1997, Saga Prefec-
tural Art Museum, Jan. 2 - Feb. 8, 1998
The exhibition was prepared by the National Museum in Warsaw for
4 Japanese museums and galleries, devoted to the theme of European
academicism in paintings, drawings, and graphic works by Polish and foreign
artists from the collections of the National Museum in Warsaw, as well as the
National Museums in Gdansk, Poznan, and Wroclaw, the Museum of Art in
Lodz, and The John Paul II Collection in Warsaw. The exhibition and its
catalogue were prepared by Iwona Danielewicz, with Hanna Benesz as curator.
The Japanese-English catalogue was edited by the curators of the various
museums lending items to the exhibition.
Impressionismus und Symbolismus: Malerei der Jahrhundertwende aus Polen.
Baden Baden, Kunsthalle, Dec. 6, 1997 -March 1, 1998
This exhibition was devoted to Polish art around 1900, presenting nearly 150
paintings from 27 of the most outstanding Polish painters active at the turn of
the century. The works were lent from the collections of the National Museums
in Warsaw, Cracow, and Wroclaw, the Silesian Museum in Katowice, the Upper
Silesian Museum in Bytom, the Regional Museums in Czçstochowa, Radom,
and Torun, the Lublin Museum, and from private collections. The exhibition
was designed in order to present the various tendencies and trends in Polish
art from 1890 to 1914: impressionism, symbolism, and early expressionism,
as well as the differences between the two main artistic centers of the period,
Warsaw and Cracow, where Academies of Fine Arts were located. The
exhibition was prepared by Elzbieta Charazinska, and was accompanied by
a catalogue written by the staff of the Collections of Modern Polish Art.
125
August 18, 1996
One of a series of exhibitions, following the exhibition of the paintings of Józef
Simmler (see Bulletin, XXXX 1995, no. 1-4, p. 64), organized jointly by the
National Museum in Warsaw, the Royal Castle in Warsaw, and the Polish
Museum in Rapperswil. On display were 88 paintings, watercolours, and
prints by Polish artists active at the turn of the last century, from representatives
of Polish Impressionism such as Józef Pankiewicz and Wladyslaw Podkowinski,
to the symbolist Witold Wojtkiewicz, mainly from the collections of the
National Museum in Warsaw. The exhibition and its Polish-German language
catalogue were prepared by Elzbieta Charazinska.
Autour de Bourdelle. Paris et les artistes polonaises, 1900-1918.
Paris, Musée Bourdelle, Oct. 22, 1996 - Jan. 1, 1997
(see above)
European Academicism in the 19th Century. Hokkaido Obihiro Museum of
Art, May 13 - June 15, 1997, Ashikaga Museum of Art, Aug. 9 - Sept. 28,
1997, Yawatahama Public City Gallery, Oct. 4 - Nov. 30, 1997, Saga Prefec-
tural Art Museum, Jan. 2 - Feb. 8, 1998
The exhibition was prepared by the National Museum in Warsaw for
4 Japanese museums and galleries, devoted to the theme of European
academicism in paintings, drawings, and graphic works by Polish and foreign
artists from the collections of the National Museum in Warsaw, as well as the
National Museums in Gdansk, Poznan, and Wroclaw, the Museum of Art in
Lodz, and The John Paul II Collection in Warsaw. The exhibition and its
catalogue were prepared by Iwona Danielewicz, with Hanna Benesz as curator.
The Japanese-English catalogue was edited by the curators of the various
museums lending items to the exhibition.
Impressionismus und Symbolismus: Malerei der Jahrhundertwende aus Polen.
Baden Baden, Kunsthalle, Dec. 6, 1997 -March 1, 1998
This exhibition was devoted to Polish art around 1900, presenting nearly 150
paintings from 27 of the most outstanding Polish painters active at the turn of
the century. The works were lent from the collections of the National Museums
in Warsaw, Cracow, and Wroclaw, the Silesian Museum in Katowice, the Upper
Silesian Museum in Bytom, the Regional Museums in Czçstochowa, Radom,
and Torun, the Lublin Museum, and from private collections. The exhibition
was designed in order to present the various tendencies and trends in Polish
art from 1890 to 1914: impressionism, symbolism, and early expressionism,
as well as the differences between the two main artistic centers of the period,
Warsaw and Cracow, where Academies of Fine Arts were located. The
exhibition was prepared by Elzbieta Charazinska, and was accompanied by
a catalogue written by the staff of the Collections of Modern Polish Art.
125