DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.43489#0299
Hinweis: Dies ist eine zusätzlich gescannte Seite, um Farbkeil und Maßstab abbilden zu können.
0.5
1 cm
Częstochówka pod Jasną Górą jako ośrodek rzeźbiarski
181
monastery from ca. 1624 to 1630. The sculptors made, among other things, the group
of eight side altars (ca. 1624-1628), the magnificent choir stalls (1627-1629, until
1633), and the monumental main retable in the basilica of Jasna Góra (1632-1634,
completed before 1638). After G. Zimmermann had left for good and gone to
Cracow the workshop was taken over by T. Scholtz. The latter completed the later
orders from the religious in the years of 1630-1637, e.g. the side altars and the choir
organ prospect for the basilica. He probably took other orders in the surrounding of
Częstochowa. It was also Christian Kregel (documented in Częstochówka 1631- after
1674) who belonged to this workshop and became independent as a master in the
second half of the 1630s, the author of several smaller decorative elements for the
o
o
Translated by Jan Kłos
Wieruszów (a
until the beg
sculpture fror
In terms of
from Częstoc
the former S
Racibórz Sile
had an influe
in the seconc
with its hist*
research fron
he artist worked also for other
supposed to have worked on
nanons in Olesno (1668). The
ence on the whole milieu, and
sculptors from Częstochówka
;hops. They are the following:
jj mid-1670s to about 1690 in
lings, he was engaged in the
elgomlyny), a Pauline brother-
703), the first sculptor in this
dements for their church in
p of lesser sculptors, imitating
tyle of small architecture and
be.
Hass of the woodcarving works
pal and northern Little Poland,
bordering territories of Opole-
centre as one of the main that
eenth century, and in particular
it solve all problems connected
ground for further comparative
bious orders or particular abbeys
f the Habsburg monarchy.
monastery at Jasna Góra. One his elder sons, Martin (Marcin Kregel), was also a
woodcarver. He was first taught by his father and worked in Pińczów between 1654
and 1669, also at the service of the then Pauline monastery. To the third generation
of the sculptors from Częstochówka belong the following: Jan Garlicki (settled here
probably ca. mid-17111 century, regularly documented between 1667 and 1683) and
Christian Gabe (after he moved to nearby Olesno in Opole-Racibórz Silesia he was
also documented there from 1670 on, d. in 1680). The first of them was, among
others, the author of the magnificent altar of the miraculous figure of the Mother of
God in the Do
orders of the n
the main altar
long-term actix
the further rep
were recruited
181
monastery from ca. 1624 to 1630. The sculptors made, among other things, the group
of eight side altars (ca. 1624-1628), the magnificent choir stalls (1627-1629, until
1633), and the monumental main retable in the basilica of Jasna Góra (1632-1634,
completed before 1638). After G. Zimmermann had left for good and gone to
Cracow the workshop was taken over by T. Scholtz. The latter completed the later
orders from the religious in the years of 1630-1637, e.g. the side altars and the choir
organ prospect for the basilica. He probably took other orders in the surrounding of
Częstochowa. It was also Christian Kregel (documented in Częstochówka 1631- after
1674) who belonged to this workshop and became independent as a master in the
second half of the 1630s, the author of several smaller decorative elements for the
o
o
Translated by Jan Kłos
Wieruszów (a
until the beg
sculpture fror
In terms of
from Częstoc
the former S
Racibórz Sile
had an influe
in the seconc
with its hist*
research fron
he artist worked also for other
supposed to have worked on
nanons in Olesno (1668). The
ence on the whole milieu, and
sculptors from Częstochówka
;hops. They are the following:
jj mid-1670s to about 1690 in
lings, he was engaged in the
elgomlyny), a Pauline brother-
703), the first sculptor in this
dements for their church in
p of lesser sculptors, imitating
tyle of small architecture and
be.
Hass of the woodcarving works
pal and northern Little Poland,
bordering territories of Opole-
centre as one of the main that
eenth century, and in particular
it solve all problems connected
ground for further comparative
bious orders or particular abbeys
f the Habsburg monarchy.
monastery at Jasna Góra. One his elder sons, Martin (Marcin Kregel), was also a
woodcarver. He was first taught by his father and worked in Pińczów between 1654
and 1669, also at the service of the then Pauline monastery. To the third generation
of the sculptors from Częstochówka belong the following: Jan Garlicki (settled here
probably ca. mid-17111 century, regularly documented between 1667 and 1683) and
Christian Gabe (after he moved to nearby Olesno in Opole-Racibórz Silesia he was
also documented there from 1670 on, d. in 1680). The first of them was, among
others, the author of the magnificent altar of the miraculous figure of the Mother of
God in the Do
orders of the n
the main altar
long-term actix
the further rep
were recruited