DOI Heft:
No. 47 (February, 1897)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.18388#0064
Studio- Talk
such exquisite idealisations as Hope, Love and Life, last month at the Dudley Gallery, contained a
or PsycJie ; there is no loss of dignity by reducing comparatively small number of pictures, it was
such compositions as Love and Death, or Time more than usually noteworthy among shows of its
Death and Judgment, to mere studies from the class, because of the excellent quality of the work
living model. He carries his intention to deal which it contained. The artists by whose corn-
only with symbols into the details of his pictures, bined efforts it was organised—Mr. R. W. Allan,
and by stripping his figures of their characteristics Mr. J. S. Hill, Mr. T. Hope McLachlan, Mr. A.
as individuals makes them typical of the entire L). Peppercorn, Mr. Leslie Thomson, and Mr. E.
human race. His whole effort is to be impersonal, A. Waterlow—are all sincere workers, who are justly
and to secure the largest truths by avoiding the recognised as among the best painters of open-air
trifles that localise and narrow. With what success subjects whom we have among us at the present
he has fulfilled this intention we may well judge by time ; and there is between them a certain sym-
this exhibition at the New Gallery. It is a great pathy of view which makes the association of their
monument of a greater undertaking. pictures especially agreeable. They have a devout
- manner of looking at Nature, and they paint with a
Though the " Landscape Exhibition," opened welcome freedom of hand which never degenerates
into mere technical display ;
^^^•^^^ so that they are able to
.^dBWKBI^WUfcfcfc realise and express the
y' WgR,—Utir-—TWk subtlety and variety of
Tj^^rvSMfcsp-^Br atmospheric colour in a
/^S^Wa-irr^M^^B^N JHkk fashion that is often ex-
/ HHk cellent and always worthy
.^■>i^B>feS==B\X/KnK^i^K^^^^K of attention.
WINDOW IN AMERICAN OPALESCENT GLASS BY BARON ARILD ROSENKRANTZ
The window in American
opalescent glass by Baron
ArildRosenkrantz, of which
we give an illustration, has
been recently erected in the
old parish church of Wick-
hambreaux, near Canter-
bury, with a result that is
surprising to all who have
as yet had the opportunity
of inspecting it. Every
variety of colour is fear-
lessly used, yet in the
whole brilliant result we
have perfect harmony.
Besides possessing unusual
power in the handling of
colour, Baron Rosenkrantz
gives evidence of a strong
appreciation and. sympathy
for all that is mystic in
religious art. His subject,
" The Annunciation," is
treated with reverence and
feeling; and although we
may say that he follows the
traditional lines of the Old
Masters, there is a fund of
S3
such exquisite idealisations as Hope, Love and Life, last month at the Dudley Gallery, contained a
or PsycJie ; there is no loss of dignity by reducing comparatively small number of pictures, it was
such compositions as Love and Death, or Time more than usually noteworthy among shows of its
Death and Judgment, to mere studies from the class, because of the excellent quality of the work
living model. He carries his intention to deal which it contained. The artists by whose corn-
only with symbols into the details of his pictures, bined efforts it was organised—Mr. R. W. Allan,
and by stripping his figures of their characteristics Mr. J. S. Hill, Mr. T. Hope McLachlan, Mr. A.
as individuals makes them typical of the entire L). Peppercorn, Mr. Leslie Thomson, and Mr. E.
human race. His whole effort is to be impersonal, A. Waterlow—are all sincere workers, who are justly
and to secure the largest truths by avoiding the recognised as among the best painters of open-air
trifles that localise and narrow. With what success subjects whom we have among us at the present
he has fulfilled this intention we may well judge by time ; and there is between them a certain sym-
this exhibition at the New Gallery. It is a great pathy of view which makes the association of their
monument of a greater undertaking. pictures especially agreeable. They have a devout
- manner of looking at Nature, and they paint with a
Though the " Landscape Exhibition," opened welcome freedom of hand which never degenerates
into mere technical display ;
^^^•^^^ so that they are able to
.^dBWKBI^WUfcfcfc realise and express the
y' WgR,—Utir-—TWk subtlety and variety of
Tj^^rvSMfcsp-^Br atmospheric colour in a
/^S^Wa-irr^M^^B^N JHkk fashion that is often ex-
/ HHk cellent and always worthy
.^■>i^B>feS==B\X/KnK^i^K^^^^K of attention.
WINDOW IN AMERICAN OPALESCENT GLASS BY BARON ARILD ROSENKRANTZ
The window in American
opalescent glass by Baron
ArildRosenkrantz, of which
we give an illustration, has
been recently erected in the
old parish church of Wick-
hambreaux, near Canter-
bury, with a result that is
surprising to all who have
as yet had the opportunity
of inspecting it. Every
variety of colour is fear-
lessly used, yet in the
whole brilliant result we
have perfect harmony.
Besides possessing unusual
power in the handling of
colour, Baron Rosenkrantz
gives evidence of a strong
appreciation and. sympathy
for all that is mystic in
religious art. His subject,
" The Annunciation," is
treated with reverence and
feeling; and although we
may say that he follows the
traditional lines of the Old
Masters, there is a fund of
S3