Studio: international art (10.1897)

Studio- Talk

the work by Pietschmann, Miiller-Breslau, and figure-painting; but they could not heretofore get
others. The show is important as being a trial of any hints with reference to applied arts, the graphic
strength of the local artists—and a very successful processes and decorative designing.

one. • _

The designers of the two posters published in

Upon the first of >'our last number>

May the first Inter-_____--, Flscher and Behrens,

national Exhibition of are both Dresden

Fine Arts will open its men;, _In j0^* *
doors here. With it
Dresden enters into

rivalry with Berlin and ' >' A for the deslSns havlnS

Munich. A good *&&S9m appeared as part of

attendance and the " the Berlm Stud,°

patronage of the pub- TaIk m]&ht lead

readers to think that

they had originated in

are not open
to women at all, and

lie alone will not
support such an en-
terprise. Unless the WrS? ^ ^ I
local artists, whose
work is the fountain
head of such an ex-
hibition, show them-
selves to be capable,
no city can expect
picture shows on a

i . . . [ \I y ■ ference of principle

large scale to thrive. _Jh: £Mn V I , . r

underlies the action of

the (Government in

English amateurs ^flBP^ '<LlWli i

j . , , purchasing old, as

and students who jmtKMJmm i rb

distinct from modern,

works of art. As re-

B

ERLIN.—

There can
be no doubt
that an es-
sential dif-

spend the winter in

Dresden often find it . .

difficult to pursue their MM -Jjj «ards the ormer> the

art studies here, for ' ♦ • cosmopolitan pnn-

rt,. . ..... .. '•yfEM 4 " MiUi ciple is applied in its

the state institutions jSm ^KU -

„„ „ . , WF£mm '-if fullest extent. Just

n,.j } JSl^M r tHM? <TLs«, as the Louvre in Pans,

and are not onen 3 bMkt^ mbSM

and the National Gal-

moreovertherehasnot ,ur>' in London con-

been much opportu- '^Wm&m^^ tain, side by side with

nity for private instruc- , j Jfr *> ~\ ^ native JJ|£* ^ °f

to that aMeast L ' ~" * 0^ tions of the Italian

the latter difficulty is gj^^^^^^H^H^^™™" and SPamsh and Ger'

now removed Mr , „ man and Dutch

Robert Sierl hL "beauty's wreath for valours brow fa. . . Berlin,

Robert Sterl has marble statue »v mr. cooper ' '

opened a class for (See Florence Studio-Talk) as every one knows,

ladies, which is the °PP°rtullity IS

already well attended, ahva>'s seized to im'

a"d Mr. Simonson has opened a private aca- port pictures of dead and gone painters from

demy. Among the staff of instructors, there is abroad. -,

Mr. Fischer for the department of decorative

design. This, especially, meets a requirement. If It is different with respect to modern produc-
they did not mind trouble, foreigners could always tions. It may be said that, as a general rule, the
manage to find teachers for figure drawing and" galleries confine themselves pretty strictly to