DOI Heft:
No. 86 (May, 1900)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19784#0294
Studio- Talk
1 LA VE1LLE DE LA COURSE DE TAUREAUX " BY IGNACIO ZULOAGA
ofttimes gloomy, landscape of the Mark Bran- Evenepoel the young Brussels painter, who passed
denburg talk its own language of silent grandeur, away so sadly in Paris a few months ago just when
The charms of light and shade, of colour in his talents were beginning to command respect,
soil, in foliage, sky, and clouds, in dancing sun- Before all else he was a painter; he understood
beam and glittering water are his, and he our modern life in all its reality, and he has left
interprets them with a true-hearted reverence, behind several canvases of great merit, among
born of that hunger after the beautiful which— them being the Espagnol a Paris, which has been
judging by him at least—seems to be keener and purchased for the Ghent museum,
more appreciative of small things in the natives of -
large cities than in many upon whose childhood M. J. Delvins contributed several remarkable
the richest glories of superb natural surroundings works which aroused much attention. His bull-
have shone in vain. fight scenes are full of vigour, bold in drawing and
L. H. vivid in colour. Spain, too, is the theme chosen
by M. Ignacio Zuloaga; but his vision of things is
BRUSSELS.—Once more the Salon of the sombre, his colour harsh, and his drawing hard.
" Libre Esthetique," installed in the One of these pictures, the Portrait du Maire de
galleries of the Musee de Bruxelles, has Rio-Moro et de sa femme, was exhibited at the last
achieved its customary success. The Salon at Ghent, and was purchased by the
numerous visitors found there the wherewithal to Government, but refused by the Commission des
satisfy all tastes in matters artistic, for the work of Musees. M. Zuloaga's big picture, La Veille de
selection had been carried out in the broadest spirit la Course de Taureaux, is a noble work, and
of eclecticism, and all "tendencies" were re- worthily carries on the true traditions of Spanish
presented, from idealism of the most literary type to art.
realism of the most scientific. First of all we must '
do homage to the last productions of Henry The large display of jewellery and goldsmith's
1 LA VE1LLE DE LA COURSE DE TAUREAUX " BY IGNACIO ZULOAGA
ofttimes gloomy, landscape of the Mark Bran- Evenepoel the young Brussels painter, who passed
denburg talk its own language of silent grandeur, away so sadly in Paris a few months ago just when
The charms of light and shade, of colour in his talents were beginning to command respect,
soil, in foliage, sky, and clouds, in dancing sun- Before all else he was a painter; he understood
beam and glittering water are his, and he our modern life in all its reality, and he has left
interprets them with a true-hearted reverence, behind several canvases of great merit, among
born of that hunger after the beautiful which— them being the Espagnol a Paris, which has been
judging by him at least—seems to be keener and purchased for the Ghent museum,
more appreciative of small things in the natives of -
large cities than in many upon whose childhood M. J. Delvins contributed several remarkable
the richest glories of superb natural surroundings works which aroused much attention. His bull-
have shone in vain. fight scenes are full of vigour, bold in drawing and
L. H. vivid in colour. Spain, too, is the theme chosen
by M. Ignacio Zuloaga; but his vision of things is
BRUSSELS.—Once more the Salon of the sombre, his colour harsh, and his drawing hard.
" Libre Esthetique," installed in the One of these pictures, the Portrait du Maire de
galleries of the Musee de Bruxelles, has Rio-Moro et de sa femme, was exhibited at the last
achieved its customary success. The Salon at Ghent, and was purchased by the
numerous visitors found there the wherewithal to Government, but refused by the Commission des
satisfy all tastes in matters artistic, for the work of Musees. M. Zuloaga's big picture, La Veille de
selection had been carried out in the broadest spirit la Course de Taureaux, is a noble work, and
of eclecticism, and all "tendencies" were re- worthily carries on the true traditions of Spanish
presented, from idealism of the most literary type to art.
realism of the most scientific. First of all we must '
do homage to the last productions of Henry The large display of jewellery and goldsmith's