DOI Heft:
No. 87 (June, 1900)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19785#0068
Studio- Talk
more than a mere prize-
hunter, for he possesses
that power of imparting
his knowledge to those
about him which is so
essential, yet so often
lacking, in those who make
teaching their profession.
The progress of the school
is sufficient to prove this.
Everyone should be a
specialist of some kind
nowadays, and the spe-
ciality of the school is
designing and modelling.
Drawing is by no means
neglected, however, as evi-
denced by two sketches
shown at the exhibition,
one in pen and ink for design for damask table linen by f. b. fulford
magazine work by F. P.
Stonelake, and the other
a lead-pencil drawing by Nelly Birch, to illustrate its basis. F. B. Fulford's escutcheons were also
the well-known rhyme " Au clair de la lune." well arranged, and capable of being easily worked.
The designs for damask table-linen by F. B.
Fulford were capital examples in one branch of
manufacture, whilst D. Bryan's gates and railings Of the modelling one can hardly speak too
were good in another. Silver-ware was contributed highly. Charles A. Sheehan's Temptation, a relief
by Kate E. Hippisley—a lady who, by the bye, has panel, showed really skilful treatment, as did also
been successful in The Studio competitions—and a design by Tracy Tratman, whilst a frieze by
tiles were shown by C. V. Allen, who has drawn a Mabel Thatcher was broadly modelled in excellent
strong but prettily-tinted pattern, with the pea as style. L. A. B.
G
L A S G O W.—
The thirty-
ninth exhibi-
tion held by
the Royal Glasgow Insti-
tute of Fine Arts is now
open. Apart from loan
pictures the show is dis-
tinctively one of Scottish
art, in which the East
of Scotland gets a fair
share of representation.
The Hanging Committee
consisted of Messrs.
Corsan Morton, J. Reid
Murray, and William
Beattie, and these gentle-
men are to be congratu-
lated on their impartiality.
design for damask table linen by f. b. fulford The arrangement of
5
o
more than a mere prize-
hunter, for he possesses
that power of imparting
his knowledge to those
about him which is so
essential, yet so often
lacking, in those who make
teaching their profession.
The progress of the school
is sufficient to prove this.
Everyone should be a
specialist of some kind
nowadays, and the spe-
ciality of the school is
designing and modelling.
Drawing is by no means
neglected, however, as evi-
denced by two sketches
shown at the exhibition,
one in pen and ink for design for damask table linen by f. b. fulford
magazine work by F. P.
Stonelake, and the other
a lead-pencil drawing by Nelly Birch, to illustrate its basis. F. B. Fulford's escutcheons were also
the well-known rhyme " Au clair de la lune." well arranged, and capable of being easily worked.
The designs for damask table-linen by F. B.
Fulford were capital examples in one branch of
manufacture, whilst D. Bryan's gates and railings Of the modelling one can hardly speak too
were good in another. Silver-ware was contributed highly. Charles A. Sheehan's Temptation, a relief
by Kate E. Hippisley—a lady who, by the bye, has panel, showed really skilful treatment, as did also
been successful in The Studio competitions—and a design by Tracy Tratman, whilst a frieze by
tiles were shown by C. V. Allen, who has drawn a Mabel Thatcher was broadly modelled in excellent
strong but prettily-tinted pattern, with the pea as style. L. A. B.
G
L A S G O W.—
The thirty-
ninth exhibi-
tion held by
the Royal Glasgow Insti-
tute of Fine Arts is now
open. Apart from loan
pictures the show is dis-
tinctively one of Scottish
art, in which the East
of Scotland gets a fair
share of representation.
The Hanging Committee
consisted of Messrs.
Corsan Morton, J. Reid
Murray, and William
Beattie, and these gentle-
men are to be congratu-
lated on their impartiality.
design for damask table linen by f. b. fulford The arrangement of
5
o