DOI issue:
No. 87 (June, 1900)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.19785#0071
Studio- Talk
repousse copper panels
by thomas huson
.,. , , j f„ „m„„,,Iirf, a inst We also saw a highly interesting landscape by
for each individual work, and to pronounce just ^ ^ ^ _ ^ _ ^ ^ ^
criticism thereon.__ painting ky Gabriel Max, who became known
In our public exhibition of paintings of the 19& later by his studies of anemic-looking women and
In our puu ^ . w Leibl, one of by his experiments m the direction of utilising
century were w \ ^ ^ ^ mM_ spiritualism fof the purposes of his artistic mani-
SLXHhich was destroyed by the painter, festations; an heroic landscape by Feuerbach J a
repousse copper panels
by thomas huson
.,. , , j f„ „m„„,,Iirf, a inst We also saw a highly interesting landscape by
for each individual work, and to pronounce just ^ ^ ^ _ ^ _ ^ ^ ^
criticism thereon.__ painting ky Gabriel Max, who became known
In our public exhibition of paintings of the 19& later by his studies of anemic-looking women and
In our puu ^ . w Leibl, one of by his experiments m the direction of utilising
century were w \ ^ ^ ^ mM_ spiritualism fof the purposes of his artistic mani-
SLXHhich was destroyed by the painter, festations; an heroic landscape by Feuerbach J a