DOI Heft:
No. 88 (July, 1900)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19785#0136
Studio-Talk
PART OF STENCILLED PRINT DESIGNED BY HUGH WALLIS
gesso and gilded, the gold being left for the halos Tl /I ANCHESTER.—The stencil prints of
and allowed to show through in places. Some- / \ / 1 Hugh Wallis are a combination
times the paint was scraped away with a knife, to /VI °^ stenc^ anc^ block printing. This
expose hatchings of gold. It will be seen that the combination is not frequently em
cartoon has nothing in common with that too ployed, but it is one which ought really to
familiar kind of modern religious art which may commend itself to many art workers, and
be justly described as epicene and amorphous in especially to those who do not wish to see their
character and sentiment. designs reproduced in a large number of prints
STENCILLED PRINT
DESIGNED BY HUGH WALLIS
PART OF STENCILLED PRINT DESIGNED BY HUGH WALLIS
gesso and gilded, the gold being left for the halos Tl /I ANCHESTER.—The stencil prints of
and allowed to show through in places. Some- / \ / 1 Hugh Wallis are a combination
times the paint was scraped away with a knife, to /VI °^ stenc^ anc^ block printing. This
expose hatchings of gold. It will be seen that the combination is not frequently em
cartoon has nothing in common with that too ployed, but it is one which ought really to
familiar kind of modern religious art which may commend itself to many art workers, and
be justly described as epicene and amorphous in especially to those who do not wish to see their
character and sentiment. designs reproduced in a large number of prints
STENCILLED PRINT
DESIGNED BY HUGH WALLIS