Studio: international art (20.1900)

Studio- Talk

visible. He is perhaps best when he
paints the sea. Along with Mr. Hone's
landscapes and seascapes, Mr. Walter
Osborne's portraits stand out from
amongst the other pictures with a
marked air of superiority. Of Mr.
Charles Stuart's three large pictures
that representing deer by moonlight,
entitled A Midnight Raid, is perhaps
the best. Mr. R. T. Moynan has
an ambitious work, entitled Rescue, re-
presenting a scene in a burning room.
The picture, however, is not altogether
pleasing; there is a want of move-
ment about the fireman, and the whole
thing is more like a tableau vivant than
a bit of real life. Mr. Bingham Mac-
Guinness shows two pictures. The
smaller, a view in Dorset, is pleasant;
the large one near it, a view on the
Kocker, is a little freakish in its per-
spective. There are two portraits by
Mr. Hugh de Glazebrook, the most
important being one of Miss Forbes
Robertson ; while of the remaining
pictures by Irish artists, those by
Mr. J. Johnston Inglis—an effect of
bright sunshine in a hayfield—and Mr.
Jack Yeats—entitled The Big Pedlar—■
are the most interesting.

Mr. Percy French has just spent a
few weeks in Dublin, after a tour in the

library table top (See Glasgow Studio-Talk) designed by John tames burnet, f.r.i.b.a.

117

domestic leaded glass by stephen adam Si son

(See Glasgow Studio-Talk)