DOI Heft:
No. 88 (July, 1900)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19785#0146
Studio- Talk
(whose Le Creusot is a powerful and tragic produc- not forget to mention the second part of the Pro-
tion), M. Duvent, Mile- Angele Delasalle, Charles cession des Rois Mages by Bennozzo Gozzoli,
Sims, Albert Laurens and Paul Chabas, all of whom, engraved by M. Jean Patricot, or the collection of
in their various ways, show true artistic feeling, and wood-blocks by the lamented A. Leveille, "after"
an earnest desire to get at the root of things and to works by Rodin. _
imbue their vision of life with individuality and ■ .
. ■ , r , , , I he four drawings by Constantin Meunier, en-
smcenty. I heir works refresh and console one . °
, . r. „ . ..... titled The Thames and reproduced here, were
somewhat after all the pretentious puerilities, the . 1 '
, ,-, ,' • „' , , , . , , , ■ ■ displayed at the Exhibition of the Societe Nou-
stale anecdotes, the sham history, the fantaisies \ J
• , , , c .... , . .v- velle de Pemtres et de Sculpteurs." Their force
without a spark of fancy, which abound in these r
„ • and character and suggestion entitle them to a
galleries. . . 00
-- special place in the art record of the great sculptor,
. £ . , who, as everyone knows, is a draughtsman of ereat
Among the engravings the hrst place must un- . . . ■ ' 00
questionably be assigned to the etchings by vlSour-
M. Edgar Chahine, which are simply astonishing The " centennal" and " decennal" displays of
in their sharpness and sense of reality. The painting and sculpture at the Universal Exhibition
plates entitled La Terrasse, Le Chateau-Rouge, and have provoked discontent, the jury having reserved
Vieille Femme are notable illustrations of modern for themselves an unduly large share of space,
life, rendered with remarkable expertness. I must G. M.
DRESDEN.—
Count Kalck
reuth has held
an exhibition
of paintings, drawings,
etchings and lithographs at
Emil Richter's Galleries.
He is not a Dresden artist;
yet, I am warranted in
sending an account of this
one-man-show from Dres-
den, because it was put
together here, and will pro-
bably start from here on a
tour through a number of
cities. Prof. Kalckreuth's
name is already familiar to
readers of The Studio,
and mention has been
made before of the circum-
stance that, from being
head of the artists' club,
Karlsruher Kiinstlerbund,
he has now been called to
a leading position in the
art world of Stuttgart.
BY LEOPOLD VON KALCKREUTII
The exhibition was a
record of the progress
made during the last ten
years, and it proved that
the artist, thus far, has
been a child of his times,
inasmuch as he has in
turn aimed at several of
(whose Le Creusot is a powerful and tragic produc- not forget to mention the second part of the Pro-
tion), M. Duvent, Mile- Angele Delasalle, Charles cession des Rois Mages by Bennozzo Gozzoli,
Sims, Albert Laurens and Paul Chabas, all of whom, engraved by M. Jean Patricot, or the collection of
in their various ways, show true artistic feeling, and wood-blocks by the lamented A. Leveille, "after"
an earnest desire to get at the root of things and to works by Rodin. _
imbue their vision of life with individuality and ■ .
. ■ , r , , , I he four drawings by Constantin Meunier, en-
smcenty. I heir works refresh and console one . °
, . r. „ . ..... titled The Thames and reproduced here, were
somewhat after all the pretentious puerilities, the . 1 '
, ,-, ,' • „' , , , . , , , ■ ■ displayed at the Exhibition of the Societe Nou-
stale anecdotes, the sham history, the fantaisies \ J
• , , , c .... , . .v- velle de Pemtres et de Sculpteurs." Their force
without a spark of fancy, which abound in these r
„ • and character and suggestion entitle them to a
galleries. . . 00
-- special place in the art record of the great sculptor,
. £ . , who, as everyone knows, is a draughtsman of ereat
Among the engravings the hrst place must un- . . . ■ ' 00
questionably be assigned to the etchings by vlSour-
M. Edgar Chahine, which are simply astonishing The " centennal" and " decennal" displays of
in their sharpness and sense of reality. The painting and sculpture at the Universal Exhibition
plates entitled La Terrasse, Le Chateau-Rouge, and have provoked discontent, the jury having reserved
Vieille Femme are notable illustrations of modern for themselves an unduly large share of space,
life, rendered with remarkable expertness. I must G. M.
DRESDEN.—
Count Kalck
reuth has held
an exhibition
of paintings, drawings,
etchings and lithographs at
Emil Richter's Galleries.
He is not a Dresden artist;
yet, I am warranted in
sending an account of this
one-man-show from Dres-
den, because it was put
together here, and will pro-
bably start from here on a
tour through a number of
cities. Prof. Kalckreuth's
name is already familiar to
readers of The Studio,
and mention has been
made before of the circum-
stance that, from being
head of the artists' club,
Karlsruher Kiinstlerbund,
he has now been called to
a leading position in the
art world of Stuttgart.
BY LEOPOLD VON KALCKREUTII
The exhibition was a
record of the progress
made during the last ten
years, and it proved that
the artist, thus far, has
been a child of his times,
inasmuch as he has in
turn aimed at several of